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Content provided by Valerie Francis and Melanie Hill. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Valerie Francis and Melanie Hill or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://podcastplayer.com/legal.
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Gone Baby Gone: writing a static protagonist

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Manage episode 447568608 series 3334607
Content provided by Valerie Francis and Melanie Hill. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Valerie Francis and Melanie Hill or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://podcastplayer.com/legal.

Most stories are about change. However, there is also a place for stories when the protagonist doesn’t change. The outcomes can still be positive - just watch James Bond and Erin Brockovich! There are also stories where the protagonist doesn’t change, and the outcome is ambiguous. This movie combines an ethical dilemma with a constant character to create a haunting outcome. The movie also has buckets of exposition. Is this a case of too much is way too much? Never fear, Valerie groups and summarises all the exposition into four key types. -M.

"Patrick's constant character with an ambivalent arc means that his internal state doesn't change." - Melanie Hill

Get The Fundamentals of Storytelling today! Go to storynerd.ca/courses and use coupon code CANADA50, now through July 7, for 50% off.

For access to writing templates and worksheets, and more than 70 hours of training (all for free), subscribe to Valerie's Inner Circle.

To learn to read like a writer, visit Melanie's website.

  continue reading

196 episodes

Artwork
iconShare
 
Manage episode 447568608 series 3334607
Content provided by Valerie Francis and Melanie Hill. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Valerie Francis and Melanie Hill or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://podcastplayer.com/legal.

Most stories are about change. However, there is also a place for stories when the protagonist doesn’t change. The outcomes can still be positive - just watch James Bond and Erin Brockovich! There are also stories where the protagonist doesn’t change, and the outcome is ambiguous. This movie combines an ethical dilemma with a constant character to create a haunting outcome. The movie also has buckets of exposition. Is this a case of too much is way too much? Never fear, Valerie groups and summarises all the exposition into four key types. -M.

"Patrick's constant character with an ambivalent arc means that his internal state doesn't change." - Melanie Hill

Get The Fundamentals of Storytelling today! Go to storynerd.ca/courses and use coupon code CANADA50, now through July 7, for 50% off.

For access to writing templates and worksheets, and more than 70 hours of training (all for free), subscribe to Valerie's Inner Circle.

To learn to read like a writer, visit Melanie's website.

  continue reading

196 episodes

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