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#210: Should You Record With Compression or Wait Until Mixing?

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Manage episode 503895674 series 2867915
Content provided by Marc Matthews. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Marc Matthews or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://player.fm/legal.

Should you record vocals with compression or save it for mixing? It’s one of the most debated questions in music production, and in this episode of Inside The Mix, we break it down with practical advice for producers at every level.

Guest Tim Benson shares why he often tracked vocals with hardware compressors in the studio, not just for sound quality, but because hearing compressed vocals in headphones helped singers perform with more confidence and precision. We discuss how compression during tracking can shape performances, highlighting the psychological and creative benefits that go far beyond managing peaks.

But what if you don’t want to commit compression to your recording? Thanks to modern workflows, you can now monitor with plugin compression while recording a clean signal, giving vocalists the polished sound they crave without sacrificing flexibility at mixdown.

We also compare compression across instruments, exploring why it’s often essential for bass but risky for acoustic guitars. Plus, discover why microphone technique, like managing distance and consistency, may solve more vocal problems than compression ever could.

Whether you’re asking “Should I record with compression on the way in?” or wondering which instruments benefit most, this episode gives you the clarity to make smarter tracking decisions.

Links mentioned in this episode:

Listen to Paradise Cove

Listen to Engraved Disillusion

Send me a message

Support the show

Ways to connect with Marc:

Book your FREE Music Breakthrough Strategy Call

Radio-ready mixes start here - get the FREE weekly tips

Grab exclusive access to BONUS content on Patreon

Follow Marc's Socials:

Instagram | YouTube | Synth Music Mastering

Thanks for listening!!

Start a podcast for FREE with Riverside

  continue reading

Chapters

1. #210: Should You Record With Compression or Wait Until Mixing? (00:00:00)

2. Should You Use Compression While Recording Vocals? (00:00:35)

3. Studio Experience: Tracking Vocals with Compression (00:05:21)

4. Digital Recording Workflows: Monitoring vs Printing Compression (00:10:59)

5. Vocal Performance Tips: Mic Technique vs Compression Settings (00:16:27)

6. Instrument Recording Compression: Bass, Acoustic Guitar & More (00:20:24)

7. nside Upcoming Projects & Scoring Horror Films (00:26:05)

211 episodes

Artwork
iconShare
 
Manage episode 503895674 series 2867915
Content provided by Marc Matthews. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Marc Matthews or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://player.fm/legal.

Should you record vocals with compression or save it for mixing? It’s one of the most debated questions in music production, and in this episode of Inside The Mix, we break it down with practical advice for producers at every level.

Guest Tim Benson shares why he often tracked vocals with hardware compressors in the studio, not just for sound quality, but because hearing compressed vocals in headphones helped singers perform with more confidence and precision. We discuss how compression during tracking can shape performances, highlighting the psychological and creative benefits that go far beyond managing peaks.

But what if you don’t want to commit compression to your recording? Thanks to modern workflows, you can now monitor with plugin compression while recording a clean signal, giving vocalists the polished sound they crave without sacrificing flexibility at mixdown.

We also compare compression across instruments, exploring why it’s often essential for bass but risky for acoustic guitars. Plus, discover why microphone technique, like managing distance and consistency, may solve more vocal problems than compression ever could.

Whether you’re asking “Should I record with compression on the way in?” or wondering which instruments benefit most, this episode gives you the clarity to make smarter tracking decisions.

Links mentioned in this episode:

Listen to Paradise Cove

Listen to Engraved Disillusion

Send me a message

Support the show

Ways to connect with Marc:

Book your FREE Music Breakthrough Strategy Call

Radio-ready mixes start here - get the FREE weekly tips

Grab exclusive access to BONUS content on Patreon

Follow Marc's Socials:

Instagram | YouTube | Synth Music Mastering

Thanks for listening!!

Start a podcast for FREE with Riverside

  continue reading

Chapters

1. #210: Should You Record With Compression or Wait Until Mixing? (00:00:00)

2. Should You Use Compression While Recording Vocals? (00:00:35)

3. Studio Experience: Tracking Vocals with Compression (00:05:21)

4. Digital Recording Workflows: Monitoring vs Printing Compression (00:10:59)

5. Vocal Performance Tips: Mic Technique vs Compression Settings (00:16:27)

6. Instrument Recording Compression: Bass, Acoustic Guitar & More (00:20:24)

7. nside Upcoming Projects & Scoring Horror Films (00:26:05)

211 episodes

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