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Ever watch a movie that feels like it was built out of wild props and late-night dreams—and then realize no one bothered to build the world around it? We dive headfirst into Nothing but Trouble, tracing how a killer cast (Dan Aykroyd, Chevy Chase, Demi Moore, John Candy) and a bonkers premise wobble into an unappealing blur of gadgets, traps, and gross-out gags. From the courtroom rollercoaster and the infamous Bone Stripper to a Hawaiian Punch dinner and a cameo from Digital Underground, we break down why spectacle without stakes falls flat—and where the film accidentally shows flashes of the sharper movie it could’ve been.
We talk tone, pacing, and the delicate math of horror-comedy: why absurdity only lands when the world has rules, how character choices give jokes friction, and what happens when you skip setup and chase set pieces. Aykroyd’s judge hints at a better blueprint—a lonely showman versus a gleeful sadist—and we explore how a few structural changes could have turned Vulcanvania into a memorable cult playground rather than a cautionary tale. Along the way, we connect threads to House of Blues, appreciate the handful of precision laughs Chevy sneaks in, and call out John Candy’s split roles and the film’s most head-scratching creations.
Then we zoom out. Gen V returns with Hamish Linklater’s delicious menace, Midnight Mass gets its flowers for character-first dread, and we compare comedy fibers across The Office, Parks and Rec, The Paper, and the Frasier reboot—why some ensembles feel warm and others punch down. It all loops back to the craft: world-building is an engine; jokes and scares are cargo. If the engine sputters, nothing arrives.
Stick around for a celebratory tease: next week we’re queuing up Broken Arrow for Todd’s birthday. Hit follow, share this with your favorite cult-cinema friend, and drop us a note—what one change would fix Nothing but Trouble? Subscribe and leave a review to help more curious listeners find the show.

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