Barry first found music when he borrowed his sister's record collection when he was about eight and was hooked. When Caroline started it was a new beginning, and he listened to all the stations, but Caroline was his favourite by far. Later he became a singer in a band, then started doing discos when he was 18. He joined Caroline in 1977, touring the country with the Caroline Roadshow for 10 years, having great fun. Barry helped with tender trips and worked on the Ross Revenge in '84 and '85. ...
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Thomson's 'Mother of Us All'
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Manage episode 481259805 series 2996988
Content provided by American Public Media. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by American Public Media or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://podcastplayer.com/legal.
Synopsis
On today’s date in 1947, a new opera, The Mother of Us All debuted at Columbia University in New York City.
The libretto was by American poet Gertrude Stein, and dealt with the life and times of Susan B. Anthony, a 19th century champion of women’s rights. In Stein’s dream-like account, iconic figures from America’s past like President John Adams, orator Daniel Webster and entertainer Lillian Russell interact even though they lived at different times in history. Two of the opera’s 27 characters, playwright Constance Fletcher and Yale librarian Donald Gallup, in fact, were contemporary friends of Stein’s.
The music was by American composer Virgil Thomson, whose score evoked seemingly familiar 19th century hymns, sentimental ballads, circus band music, drum rolls, and fanfares. The tunes were, in fact, all original creations. The mix of Thomson’s music and Stein’s text results in a rambunctious opera about American life and politics, at turns both amusing and strangely touching. It became an unlikely success.
Thomson wrote two other operas: Four Saints in Three Acts, from 1933, was an earlier collaboration with Gertrude Stein, and Lord Byron, from 1972, sets a witty libretto by Jack Larson, an actor famous for his portrayal of Daily Planet cub reporter Jimmy Olson on the old Superman TV series. Lord Byron was intended for the Metropolitan Opera in New York, but never made it there, and performances these days are rare.
Music Played in Today's Program
Virgil Thomson (1896-1989): The Mother of Us; All Santa Fe Opera; Raymond Leppard, conductor; New World 288
108 episodes
MP3•Episode home
Manage episode 481259805 series 2996988
Content provided by American Public Media. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by American Public Media or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://podcastplayer.com/legal.
Synopsis
On today’s date in 1947, a new opera, The Mother of Us All debuted at Columbia University in New York City.
The libretto was by American poet Gertrude Stein, and dealt with the life and times of Susan B. Anthony, a 19th century champion of women’s rights. In Stein’s dream-like account, iconic figures from America’s past like President John Adams, orator Daniel Webster and entertainer Lillian Russell interact even though they lived at different times in history. Two of the opera’s 27 characters, playwright Constance Fletcher and Yale librarian Donald Gallup, in fact, were contemporary friends of Stein’s.
The music was by American composer Virgil Thomson, whose score evoked seemingly familiar 19th century hymns, sentimental ballads, circus band music, drum rolls, and fanfares. The tunes were, in fact, all original creations. The mix of Thomson’s music and Stein’s text results in a rambunctious opera about American life and politics, at turns both amusing and strangely touching. It became an unlikely success.
Thomson wrote two other operas: Four Saints in Three Acts, from 1933, was an earlier collaboration with Gertrude Stein, and Lord Byron, from 1972, sets a witty libretto by Jack Larson, an actor famous for his portrayal of Daily Planet cub reporter Jimmy Olson on the old Superman TV series. Lord Byron was intended for the Metropolitan Opera in New York, but never made it there, and performances these days are rare.
Music Played in Today's Program
Virgil Thomson (1896-1989): The Mother of Us; All Santa Fe Opera; Raymond Leppard, conductor; New World 288
108 episodes
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