Barry first found music when he borrowed his sister's record collection when he was about eight and was hooked. When Caroline started it was a new beginning, and he listened to all the stations, but Caroline was his favourite by far. Later he became a singer in a band, then started doing discos when he was 18. He joined Caroline in 1977, touring the country with the Caroline Roadshow for 10 years, having great fun. Barry helped with tender trips and worked on the Ross Revenge in '84 and '85. ...
…
continue reading
Content provided by American Public Media. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by American Public Media or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://player.fm/legal.
Player FM - Podcast App
Go offline with the Player FM app!
Go offline with the Player FM app!
Larsen's 'Lyric' Third
MP3•Episode home
Manage episode 481259806 series 2996988
Content provided by American Public Media. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by American Public Media or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://podcastplayer.com/legal.
Synopsis
On today’s date in 1992, Joel Revzen conducted the Albany Symphony in the premiere of the Third Symphony of American composer Libby Larsen.
Larsen subtitled her new work a Lyric Symphony. Now, the early 20th century Viennese composer Alexander Zemlinsky had written a Lyric Symphony, one that involved vocal soloists. As a composer, Larsen is noted for her songs and choral works, but for her own Lyric Symphony she opted for a purely instrumental work that would be somehow quintessentially American. In program notes for her new symphony, she wrote:
“As I struggle with the definition of American music, it occurs to me that in all of our contemporary American genres, the dominating parameter of the music is rhythm. Rhythm is more important than pitch. This is a fundamental change in the composition of music in the 20th century. Here we speak American English, an inflected, complex, rhythmic language.
“What is lyric in our times?” Larsen continued. “Where is the great American melody? Found, I would say, in the music of Chuck Berry, Robert Lockwood, Buddy Guy, George Gershwin, Dolly Parton, Hank Williams, James Brown, Aaron Copland, Walter Piston and those composers who create melodies that are defined more by the rhythm than their pitch. My Symphony No. 3 — the Lyric, is an exploration of American melody.”
Music Played in Today's Program
Libby Larsen (b. 1950): Symphony No. 3 (Lyric) London Symphony; Joel Revzen, conductor; Koch 7370
108 episodes
MP3•Episode home
Manage episode 481259806 series 2996988
Content provided by American Public Media. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by American Public Media or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://podcastplayer.com/legal.
Synopsis
On today’s date in 1992, Joel Revzen conducted the Albany Symphony in the premiere of the Third Symphony of American composer Libby Larsen.
Larsen subtitled her new work a Lyric Symphony. Now, the early 20th century Viennese composer Alexander Zemlinsky had written a Lyric Symphony, one that involved vocal soloists. As a composer, Larsen is noted for her songs and choral works, but for her own Lyric Symphony she opted for a purely instrumental work that would be somehow quintessentially American. In program notes for her new symphony, she wrote:
“As I struggle with the definition of American music, it occurs to me that in all of our contemporary American genres, the dominating parameter of the music is rhythm. Rhythm is more important than pitch. This is a fundamental change in the composition of music in the 20th century. Here we speak American English, an inflected, complex, rhythmic language.
“What is lyric in our times?” Larsen continued. “Where is the great American melody? Found, I would say, in the music of Chuck Berry, Robert Lockwood, Buddy Guy, George Gershwin, Dolly Parton, Hank Williams, James Brown, Aaron Copland, Walter Piston and those composers who create melodies that are defined more by the rhythm than their pitch. My Symphony No. 3 — the Lyric, is an exploration of American melody.”
Music Played in Today's Program
Libby Larsen (b. 1950): Symphony No. 3 (Lyric) London Symphony; Joel Revzen, conductor; Koch 7370
108 episodes
All episodes
×Welcome to Player FM!
Player FM is scanning the web for high-quality podcasts for you to enjoy right now. It's the best podcast app and works on Android, iPhone, and the web. Signup to sync subscriptions across devices.