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Dream Vessel - William Covert
Manage episode 512803131 series 2980641
William stops by to discuss his latest release Dream Vessel as well as the many styles of Chicago music.
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William Covert announces the release of 'Dream Vessel' via Coup Sur Coup Records.
Exploring the territories on the intersection of improvised music, jazz and ambient soundscapes, Chicago-based musician is happy to present his newest release.
After more than 15 years of drumming in math rock, post-rock, and post-hardcore bands, William Covert began experimenting with live-looped synths alongside acoustic and electronic drums. This experimentation birthed two full-length solo albums characterized by post-rock and krautrock-inspired synth loops and melodies, all performed solo with loop pedals and sequencers. “I wanted my third solo album to go in a different direction with different instrumentation,” – explains Covert discussing the process behind the creation of ‘Dream Vessel’.
Joining Covert on drums for half the album's tracks, longtime collaborators Jack McKevitt (guitar) and Nathan Schenck (bass) perform together as the William Covert Trio. Recorded live and fully improvised in the studio, the William Covert Trio tracks contain no overdubs, capturing the spontaneous and visceral energy of the musicians performing together in the same room. The trio, who also play together in Chicago’s post-hardcore noise rock outfit Tum, bring an aggressive avant-garde noise rock improvisational ethos to the record. “The trio’s approach is rooted in raw energy with loose but deliberate structure,” states Covert, equally inspired by both Don Caballero and Last Exit.
While the first part of the record became a group effort for Covert, the other half was performed entirely solo, diving deep into cinematic ambient soundscapes, dreamy Frippertronic-influenced guitars, modular synth, and free-jazz drumming filtered through a post-industrial lens. These compositions immerse themselves in meticulously layered sound design with nods to slowcore and minimalist post-rock, providing a dynamic contrast to the trio’s raw intensity. ‘Dream Vessel’ coming October 17
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If you would like to contact the show about being a guest, please email us at [email protected]
Upcoming guests can be found: https://dmneedom.com/upcoming-guest
Follow us on Social Media
Instagram: https://www.instagram.com/author_d.m.needom/
Facebook: https://www.facebook.com/bettertopodcastwithdmneedom
Intro and Outro music compliments of Fast Suzi
©2025 Better To...Podcast with D. M. Needom
214 episodes
Manage episode 512803131 series 2980641
William stops by to discuss his latest release Dream Vessel as well as the many styles of Chicago music.
****
William Covert announces the release of 'Dream Vessel' via Coup Sur Coup Records.
Exploring the territories on the intersection of improvised music, jazz and ambient soundscapes, Chicago-based musician is happy to present his newest release.
After more than 15 years of drumming in math rock, post-rock, and post-hardcore bands, William Covert began experimenting with live-looped synths alongside acoustic and electronic drums. This experimentation birthed two full-length solo albums characterized by post-rock and krautrock-inspired synth loops and melodies, all performed solo with loop pedals and sequencers. “I wanted my third solo album to go in a different direction with different instrumentation,” – explains Covert discussing the process behind the creation of ‘Dream Vessel’.
Joining Covert on drums for half the album's tracks, longtime collaborators Jack McKevitt (guitar) and Nathan Schenck (bass) perform together as the William Covert Trio. Recorded live and fully improvised in the studio, the William Covert Trio tracks contain no overdubs, capturing the spontaneous and visceral energy of the musicians performing together in the same room. The trio, who also play together in Chicago’s post-hardcore noise rock outfit Tum, bring an aggressive avant-garde noise rock improvisational ethos to the record. “The trio’s approach is rooted in raw energy with loose but deliberate structure,” states Covert, equally inspired by both Don Caballero and Last Exit.
While the first part of the record became a group effort for Covert, the other half was performed entirely solo, diving deep into cinematic ambient soundscapes, dreamy Frippertronic-influenced guitars, modular synth, and free-jazz drumming filtered through a post-industrial lens. These compositions immerse themselves in meticulously layered sound design with nods to slowcore and minimalist post-rock, providing a dynamic contrast to the trio’s raw intensity. ‘Dream Vessel’ coming October 17
*****
If you would like to contact the show about being a guest, please email us at [email protected]
Upcoming guests can be found: https://dmneedom.com/upcoming-guest
Follow us on Social Media
Instagram: https://www.instagram.com/author_d.m.needom/
Facebook: https://www.facebook.com/bettertopodcastwithdmneedom
Intro and Outro music compliments of Fast Suzi
©2025 Better To...Podcast with D. M. Needom
214 episodes
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