In the 1980s, there were only 63 Black films by, for, or about Black Americans. But in the 1990s, that number quadrupled, with 220 Black films making their way to cinema screens nationwide. What sparked this “Black New Wave?” Who blazed this path for contemporaries like Ava DuVernay, Kasi Lemmons and Jordan Peele? And how did these films transform American culture as a whole? Presenting The Class of 1989, a new limited-run series from pop culture critics Len Webb and Vincent Williams, hosts ...
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Boots Riley (The Coup) with I'm a Virgo - Episode 148
Manage episode 506466062 series 1809286
Content provided by The Geek Show. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by The Geek Show or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://podcastplayer.com/legal.
As impossible as it seems, there are people who can still do original things with superheroes - and it's no surprise that one of those people is Boots Riley. One part of the deliciously funky activist hip-hop act The Coup, he turned to directing with 2018's outrageous comedy Sorry to Bother You and followed it up with this singular Amazon Prime series about a reclusive giant teenager who yearns of being like his favourite superhero.
There's more to it than that, of course, and the series takes aim at the one element of superhero stories that this famously self-mocking genre rarely touches, namely their politics. As well as featuring Walton Goggins as a billionaire superhero whose attitudes are more in line with America's actual billionaire class than Batman or Iron Man, the show also gives Graham and Rob the opportunity to talk about class, disability, lost media, animation, practical effects and - in Graham's case - make a truly, truly unfortunate slip of the tongue.
Show solidarity with us by donating to our Patreon, where you can get a bonus episode of this show every month, plus a whole other podcast - the unclassifiable miscellany that is Last Night... - and weekly reviews of The X-Files, The Twilight Zone and the side-projects of Doctor Who stars in Outside the Blue Box. Follow us on Instagram, Bluesky and Facebook for more info
178 episodes
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Manage episode 506466062 series 1809286
Content provided by The Geek Show. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by The Geek Show or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://podcastplayer.com/legal.
As impossible as it seems, there are people who can still do original things with superheroes - and it's no surprise that one of those people is Boots Riley. One part of the deliciously funky activist hip-hop act The Coup, he turned to directing with 2018's outrageous comedy Sorry to Bother You and followed it up with this singular Amazon Prime series about a reclusive giant teenager who yearns of being like his favourite superhero.
There's more to it than that, of course, and the series takes aim at the one element of superhero stories that this famously self-mocking genre rarely touches, namely their politics. As well as featuring Walton Goggins as a billionaire superhero whose attitudes are more in line with America's actual billionaire class than Batman or Iron Man, the show also gives Graham and Rob the opportunity to talk about class, disability, lost media, animation, practical effects and - in Graham's case - make a truly, truly unfortunate slip of the tongue.
Show solidarity with us by donating to our Patreon, where you can get a bonus episode of this show every month, plus a whole other podcast - the unclassifiable miscellany that is Last Night... - and weekly reviews of The X-Files, The Twilight Zone and the side-projects of Doctor Who stars in Outside the Blue Box. Follow us on Instagram, Bluesky and Facebook for more info
178 episodes
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In the 1980s, there were only 63 Black films by, for, or about Black Americans. But in the 1990s, that number quadrupled, with 220 Black films making their way to cinema screens nationwide. What sparked this “Black New Wave?” Who blazed this path for contemporaries like Ava DuVernay, Kasi Lemmons and Jordan Peele? And how did these films transform American culture as a whole? Presenting The Class of 1989, a new limited-run series from pop culture critics Len Webb and Vincent Williams, hosts ...
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