In the 1980s, there were only 63 Black films by, for, or about Black Americans. But in the 1990s, that number quadrupled, with 220 Black films making their way to cinema screens nationwide. What sparked this “Black New Wave?” Who blazed this path for contemporaries like Ava DuVernay, Kasi Lemmons and Jordan Peele? And how did these films transform American culture as a whole? Presenting The Class of 1989, a new limited-run series from pop culture critics Len Webb and Vincent Williams, hosts ...
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Pavement in Pavements (2024) - Episode 147
Manage episode 503574945 series 1809286
Content provided by The Geek Show. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by The Geek Show or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://podcastplayer.com/legal.
Pavement are a scrappy, bewildering band, so it's only fair that they get a scrappy, bewildering biopic - or is it? A hybrid of documentary, spoof, situationist prank and an off-Broadway jukebox musical that somehow actually happened in reality, Alex Ross Perry's Pavements throws the ultimate slacker band into a hall of mirrors in order to ask the question: what does it mean to never sell out?
This week on Pop Screen, Graham and Simon tackle all four dimensions (it'll make sense later, probably) of Perry's film: Simon from the viewpoint of an ARP fan who wasn't previously familiar with the band, and Graham... well, you'll find out on the episode, as well as discussions of the difference between West and East Coast snark, the lost original cut of the film, the unexpected afterlife of the band in Beabadoobee songs and Spotify weirdness, and Graham's sensible opinions about New York.
There is no castration fear, but there is a Patreon where you can get a bonus episode of this show every month - we've just done Ice Cube's instantly notorious War of the Worlds - as well as weekly written reviews of The Twilight Zone, The X-Files and Doctor Who. We also have an end-of-month round-up podcast, Last Night, for everything that doesn't fit anywhere else. Follow us on Instagram and Facebook to find out more.
177 episodes
Share
Manage episode 503574945 series 1809286
Content provided by The Geek Show. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by The Geek Show or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://podcastplayer.com/legal.
Pavement are a scrappy, bewildering band, so it's only fair that they get a scrappy, bewildering biopic - or is it? A hybrid of documentary, spoof, situationist prank and an off-Broadway jukebox musical that somehow actually happened in reality, Alex Ross Perry's Pavements throws the ultimate slacker band into a hall of mirrors in order to ask the question: what does it mean to never sell out?
This week on Pop Screen, Graham and Simon tackle all four dimensions (it'll make sense later, probably) of Perry's film: Simon from the viewpoint of an ARP fan who wasn't previously familiar with the band, and Graham... well, you'll find out on the episode, as well as discussions of the difference between West and East Coast snark, the lost original cut of the film, the unexpected afterlife of the band in Beabadoobee songs and Spotify weirdness, and Graham's sensible opinions about New York.
There is no castration fear, but there is a Patreon where you can get a bonus episode of this show every month - we've just done Ice Cube's instantly notorious War of the Worlds - as well as weekly written reviews of The Twilight Zone, The X-Files and Doctor Who. We also have an end-of-month round-up podcast, Last Night, for everything that doesn't fit anywhere else. Follow us on Instagram and Facebook to find out more.
177 episodes
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In the 1980s, there were only 63 Black films by, for, or about Black Americans. But in the 1990s, that number quadrupled, with 220 Black films making their way to cinema screens nationwide. What sparked this “Black New Wave?” Who blazed this path for contemporaries like Ava DuVernay, Kasi Lemmons and Jordan Peele? And how did these films transform American culture as a whole? Presenting The Class of 1989, a new limited-run series from pop culture critics Len Webb and Vincent Williams, hosts ...
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