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Write On: 'The Home' Director/Co-Writer James DeMonaco and Co-Writer Adam Cantor

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Manage episode 496501523 series 79914
Content provided by Yan Vinterfeld and Final Draft. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Yan Vinterfeld and Final Draft or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://podcastplayer.com/legal.

“Write your own anxieties. Get into your own psyche. I think if it scares you – like, I'm terrified of guns, and that's where The Purge came from. But here, there were various generational fears and whatnot that led to The Home, Adam's fears and my fears about getting older and our anxiety. So I would say if it's born from your fear, the majority of the audience probably has a similar fear. I think we are communal in that way. Fears are not singular, so I think you should work off your own fears, and on a practical level, if you can keep the budget small, you're in a much better place getting it made. That was key to The Purge getting made, that it was one location,” says James DeMonaco, director and co-writer of the new horror film, The Home.

On today’s show, we talk with both James DeMonaco and Adam Cantor, co-writers of the new horror film The Home.

The Home is about Max (Pete Davidson), a troubled young man, who starts working at a retirement home only to realize its residents and caretakers harbor sinister secrets. As he investigates the building and its forbidden fourth floor, he starts to uncover connections to his own past and upbringing as a foster child.

DeMonaco, best known for creating The Purge franchise, and Cantor, an actor-turned-writer, talk about their favorite horror films from the 1970s, the challenge of bringing a 70s vibe to modern horror films, and working with their Staten Island buddy, comedian Pete Davidson and bringing out his intense dramatic performance.

DeMonaco also talks about the impact The Purge films have had on our culture.

“I grew up watching Romero and Carpenter films and George Miller. I always thought they put great mirrors up to society, and there was always some kind of smuggler's cinema idea, where they were smuggling socio-political themes into the genre's pieces. So sadly, The Purge is reflective of the world we're living in and becoming, I think, more reflective, which is scary. And terrifying. I wish it wasn't, I wish it was a complete fantasy to purge. Unfortunately, it's not right now, and it's seemingly getting worse,” says DeMonaco who weighs in on whether something like The Purge could happen in real life.

“I used to say, ‘Absolutely not!’ Now, I don't know if I would say that any longer, and that's even scarier to me,” says DeMonaco.

To hear more about The Home and the spooky events that h appened on set, listen to the podcast.

  continue reading

146 episodes

Artwork
iconShare
 
Manage episode 496501523 series 79914
Content provided by Yan Vinterfeld and Final Draft. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Yan Vinterfeld and Final Draft or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://podcastplayer.com/legal.

“Write your own anxieties. Get into your own psyche. I think if it scares you – like, I'm terrified of guns, and that's where The Purge came from. But here, there were various generational fears and whatnot that led to The Home, Adam's fears and my fears about getting older and our anxiety. So I would say if it's born from your fear, the majority of the audience probably has a similar fear. I think we are communal in that way. Fears are not singular, so I think you should work off your own fears, and on a practical level, if you can keep the budget small, you're in a much better place getting it made. That was key to The Purge getting made, that it was one location,” says James DeMonaco, director and co-writer of the new horror film, The Home.

On today’s show, we talk with both James DeMonaco and Adam Cantor, co-writers of the new horror film The Home.

The Home is about Max (Pete Davidson), a troubled young man, who starts working at a retirement home only to realize its residents and caretakers harbor sinister secrets. As he investigates the building and its forbidden fourth floor, he starts to uncover connections to his own past and upbringing as a foster child.

DeMonaco, best known for creating The Purge franchise, and Cantor, an actor-turned-writer, talk about their favorite horror films from the 1970s, the challenge of bringing a 70s vibe to modern horror films, and working with their Staten Island buddy, comedian Pete Davidson and bringing out his intense dramatic performance.

DeMonaco also talks about the impact The Purge films have had on our culture.

“I grew up watching Romero and Carpenter films and George Miller. I always thought they put great mirrors up to society, and there was always some kind of smuggler's cinema idea, where they were smuggling socio-political themes into the genre's pieces. So sadly, The Purge is reflective of the world we're living in and becoming, I think, more reflective, which is scary. And terrifying. I wish it wasn't, I wish it was a complete fantasy to purge. Unfortunately, it's not right now, and it's seemingly getting worse,” says DeMonaco who weighs in on whether something like The Purge could happen in real life.

“I used to say, ‘Absolutely not!’ Now, I don't know if I would say that any longer, and that's even scarier to me,” says DeMonaco.

To hear more about The Home and the spooky events that h appened on set, listen to the podcast.

  continue reading

146 episodes

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