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164: “Hollow” by Breece D’J Pancake

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Manage episode 519587427 series 2818381
Content provided by Why Is This Good?. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Why Is This Good? or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://podcastplayer.com/legal.

If you enjoyed this episode, consider joining our Patreon. Your support helps us keep the show running. Find out more at http://www.patreon.com/whyisthisgoodpodcast

In this episode, we discuss “Hollow” by Breece D’J Pancake. What can we learn from this early success from a young writer? What does it mean for a writer to find their voice? What does it mean to write what you know? Is it actually bad to head-hop point of view? How do you circumscribe the events of a story to create a compelling portrait of a character?

For daily writing tips, industry news, and great short fiction, join our Facebook group at http://www.facebook.com/groups/napleswritersworkshop

You can also subscribe to our monthly newsletter at http://www.napleswritersworkshop.com

  continue reading

166 episodes

Artwork
iconShare
 
Manage episode 519587427 series 2818381
Content provided by Why Is This Good?. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Why Is This Good? or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://podcastplayer.com/legal.

If you enjoyed this episode, consider joining our Patreon. Your support helps us keep the show running. Find out more at http://www.patreon.com/whyisthisgoodpodcast

In this episode, we discuss “Hollow” by Breece D’J Pancake. What can we learn from this early success from a young writer? What does it mean for a writer to find their voice? What does it mean to write what you know? Is it actually bad to head-hop point of view? How do you circumscribe the events of a story to create a compelling portrait of a character?

For daily writing tips, industry news, and great short fiction, join our Facebook group at http://www.facebook.com/groups/napleswritersworkshop

You can also subscribe to our monthly newsletter at http://www.napleswritersworkshop.com

  continue reading

166 episodes

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