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On Visual Effects with William Sargent

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Manage episode 493250619 series 3676299
Content provided by Omid Ashtari & Natascha McElhone, Omid Ashtari, and Natascha McElhone. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Omid Ashtari & Natascha McElhone, Omid Ashtari, and Natascha McElhone or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://podcastplayer.com/legal.

Questions, suggestions, or feedback? Send us a message!

Our guest this week is William Sargent. He co-founded Framestore in 1986 and led its rise from an award winning commercials production house to world renowned film and digital studio. During three decades the company has worked on all the Harry Potter films (and the JK Rowling 'Fantastic Beasts') , Alfonso Cuarón’s Gravity, James Gunn’s Guardians of the Galaxy, Paul King’s Paddington, Dr Strange, Christopher Robin, Blade Runner 2049 and Marvel’s Avengers Series.

William and his team have won all the major creative awards including 3 Oscars, British Academy, Primetime Emmys, D&AD, Royal Television Society and most recently over 100 global awards for the newest format Virtual Reality.

Equally at home in Hollywood and government, he was Permanent Secretary, Regulatory Reform, at the Cabinet Office, and Board Director of HM Treasury. He is currently a governor at Europe's largest arts complex Southbank Center, the U.K. governments innovation agency, Trinity College Dublin's Provost Council and the London Mayor's Business Council. William is a fellow of the Royal Society for the Arts, member of BAFTA and the Academy. He received a CBE in 2004 and was knighted by the Queen in 2008.

We talk about:

  • Rear Projection
  • Stop motion animation
  • Alfonso Cuaron’s Gravity
  • How music videos started the UK film industry
  • George Lucas’ vision of multi-platform story telling
  • How car manufacturing robots help in filmmaking
  • Tennis balls and florescent tape
  • How to create dinosaurs
  • The next decade of filmmaking

Let’s roll.

Web: www.whereshallwemeet.xyz
Twitter: @whrshallwemeet
Instagram: @whrshallwemeet

  continue reading

Chapters

1. On Visual Effects with William Sargent (00:00:00)

2. Evolution of Filmmaking Techniques (00:00:15)

3. The Art and Magic of Filmmaking (00:10:58)

4. From Writing to Film Production (00:20:47)

5. Revolution of UK Film Industry (00:23:49)

6. Dinosaur Animations and Science Impact (00:34:01)

7. Emerging Technology in Filmmaking (00:42:53)

8. Future Visionaries in Filmmaking (00:55:09)

26 episodes

Artwork
iconShare
 
Manage episode 493250619 series 3676299
Content provided by Omid Ashtari & Natascha McElhone, Omid Ashtari, and Natascha McElhone. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Omid Ashtari & Natascha McElhone, Omid Ashtari, and Natascha McElhone or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://podcastplayer.com/legal.

Questions, suggestions, or feedback? Send us a message!

Our guest this week is William Sargent. He co-founded Framestore in 1986 and led its rise from an award winning commercials production house to world renowned film and digital studio. During three decades the company has worked on all the Harry Potter films (and the JK Rowling 'Fantastic Beasts') , Alfonso Cuarón’s Gravity, James Gunn’s Guardians of the Galaxy, Paul King’s Paddington, Dr Strange, Christopher Robin, Blade Runner 2049 and Marvel’s Avengers Series.

William and his team have won all the major creative awards including 3 Oscars, British Academy, Primetime Emmys, D&AD, Royal Television Society and most recently over 100 global awards for the newest format Virtual Reality.

Equally at home in Hollywood and government, he was Permanent Secretary, Regulatory Reform, at the Cabinet Office, and Board Director of HM Treasury. He is currently a governor at Europe's largest arts complex Southbank Center, the U.K. governments innovation agency, Trinity College Dublin's Provost Council and the London Mayor's Business Council. William is a fellow of the Royal Society for the Arts, member of BAFTA and the Academy. He received a CBE in 2004 and was knighted by the Queen in 2008.

We talk about:

  • Rear Projection
  • Stop motion animation
  • Alfonso Cuaron’s Gravity
  • How music videos started the UK film industry
  • George Lucas’ vision of multi-platform story telling
  • How car manufacturing robots help in filmmaking
  • Tennis balls and florescent tape
  • How to create dinosaurs
  • The next decade of filmmaking

Let’s roll.

Web: www.whereshallwemeet.xyz
Twitter: @whrshallwemeet
Instagram: @whrshallwemeet

  continue reading

Chapters

1. On Visual Effects with William Sargent (00:00:00)

2. Evolution of Filmmaking Techniques (00:00:15)

3. The Art and Magic of Filmmaking (00:10:58)

4. From Writing to Film Production (00:20:47)

5. Revolution of UK Film Industry (00:23:49)

6. Dinosaur Animations and Science Impact (00:34:01)

7. Emerging Technology in Filmmaking (00:42:53)

8. Future Visionaries in Filmmaking (00:55:09)

26 episodes

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