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253 Artist-Run Futures, and Burning the Art World Down (Gently) - Cat Gunn

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Manage episode 472890759 series 2364022
Content provided by Javier Proenza. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Javier Proenza or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://podcastplayer.com/legal.

Spiritual Kinship, Artist-Run Futures, and Burning the Art World Down (Gently) - Cat Gunn

In this episode of What’s My Thesis, Javier Proenza welcomes Cat Gunn—artist, curator, and co-organizer of Other Places Art Fair South (OPAF South)—for a wide-ranging conversation on community, creative identity, and the radical possibilities within artist-run spaces.

Rooted in their early relationship to art and shaped by their current role in the San Diego-based initiative Harvest and Gather, the dialogue illuminates the power of collaborative curation and experimental presentation. Gunn shares the ethos behind Harvest and Gather’s programming, which includes boundary-pushing moments such as a bonfire where artwork is ceremoniously burned—a powerful gesture of impermanence, intention, and spiritual offering.

As OPAF South emerges as a new chapter of the long-running artist-run platform Other Places Art Fair, Gunn reflects on mentorship, shared resources, and the liberatory potential of decentralized arts infrastructure. With detours through magic, conceptual art, regional aesthetics, and the politics of visibility, Proenza and Gunn discuss what it means to make and sustain art outside of market logic.

Topics include:

  • Cat Gunn’s transition from drawing and animation to curation and community-based practice

  • The philosophy and provocations behind Harvest and Gather

  • How artist-run spaces function as spiritual and political interventions

  • San Diego’s evolving art ecosystem and Gunn’s collaboration with MCA on OPAF South

  • Queerness, geography, and the differences between art scenes in Baltimore, Miami, L.A., and beyond

  • The sustainability of DIY and underground creative labor in a post-pandemic landscape

For those compelled by the invisible architectures of care, resistance, and ritual in contemporary art, this episode offers an inspired look into what’s being built just outside the spotlight.

Listen wherever you get your podcasts.
Support the show on Patreon for early access and bonus content.
Follow Cat Gunn and Harvest and Gather on Instagram: @harvestngather

#CatGunn #WhatsMyThesis #JavierProenza #HarvestAndGather #OPAFSouth #OtherPlacesArtFair #SanDiegoArtScene #ArtistRunSpaces #ContemporaryArt #AlternativeArt #QueerArtists #ArtPodcast #ArtWorld #ConceptualArt #SpiritualArt #ArtBurning #GrassrootsArt #CommunityArt

  continue reading

259 episodes

Artwork
iconShare
 
Manage episode 472890759 series 2364022
Content provided by Javier Proenza. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Javier Proenza or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://podcastplayer.com/legal.

Spiritual Kinship, Artist-Run Futures, and Burning the Art World Down (Gently) - Cat Gunn

In this episode of What’s My Thesis, Javier Proenza welcomes Cat Gunn—artist, curator, and co-organizer of Other Places Art Fair South (OPAF South)—for a wide-ranging conversation on community, creative identity, and the radical possibilities within artist-run spaces.

Rooted in their early relationship to art and shaped by their current role in the San Diego-based initiative Harvest and Gather, the dialogue illuminates the power of collaborative curation and experimental presentation. Gunn shares the ethos behind Harvest and Gather’s programming, which includes boundary-pushing moments such as a bonfire where artwork is ceremoniously burned—a powerful gesture of impermanence, intention, and spiritual offering.

As OPAF South emerges as a new chapter of the long-running artist-run platform Other Places Art Fair, Gunn reflects on mentorship, shared resources, and the liberatory potential of decentralized arts infrastructure. With detours through magic, conceptual art, regional aesthetics, and the politics of visibility, Proenza and Gunn discuss what it means to make and sustain art outside of market logic.

Topics include:

  • Cat Gunn’s transition from drawing and animation to curation and community-based practice

  • The philosophy and provocations behind Harvest and Gather

  • How artist-run spaces function as spiritual and political interventions

  • San Diego’s evolving art ecosystem and Gunn’s collaboration with MCA on OPAF South

  • Queerness, geography, and the differences between art scenes in Baltimore, Miami, L.A., and beyond

  • The sustainability of DIY and underground creative labor in a post-pandemic landscape

For those compelled by the invisible architectures of care, resistance, and ritual in contemporary art, this episode offers an inspired look into what’s being built just outside the spotlight.

Listen wherever you get your podcasts.
Support the show on Patreon for early access and bonus content.
Follow Cat Gunn and Harvest and Gather on Instagram: @harvestngather

#CatGunn #WhatsMyThesis #JavierProenza #HarvestAndGather #OPAFSouth #OtherPlacesArtFair #SanDiegoArtScene #ArtistRunSpaces #ContemporaryArt #AlternativeArt #QueerArtists #ArtPodcast #ArtWorld #ConceptualArt #SpiritualArt #ArtBurning #GrassrootsArt #CommunityArt

  continue reading

259 episodes

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