In the 1980s, there were only 63 Black films by, for, or about Black Americans. But in the 1990s, that number quadrupled, with 220 Black films making their way to cinema screens nationwide. What sparked this “Black New Wave?” Who blazed this path for contemporaries like Ava DuVernay, Kasi Lemmons and Jordan Peele? And how did these films transform American culture as a whole? Presenting The Class of 1989, a new limited-run series from pop culture critics Len Webb and Vincent Williams, hosts ...
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Ep 231 Bubba Ho-Tep
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Manage episode 506189232 series 1454236
Content provided by Welcome to Horror. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Welcome to Horror or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://podcastplayer.com/legal.
This week, we’re discussing Don Coscarelli’s “Bubba Ho-Tep”, and usually at this point, we would write a few amusing sentences about the film. But nothing we can come up with beats this premise: Elvis Presley didn’t die and is now stuck in an Old People’s Home in Texas. He teams up with a fellow resident (a black man who claims to be a post-assassination JFK) to fight a soul-sucking Mummy in Cowboy boots. Seen and loved by many at the time of release, now 23 years later, “Bubba Ho-Tep” seems, sadly, overlooked. Despite its horror royalty combination of “Phantasm” creator Coscarelli behind the camera, and a magnificent portrayal of a bitter and forgotten Elvis/delusional Elvis impersonator by Bruce Campbell (in possibly his best role outside of “The Evil Dead”’s Ash), it just doesn’t seem to get mentioned much anymore. Which is a shame; Campbell’s marvellous double act with the impeccable Ossie Davis as JFK give this mondo idea some real humour and heart. Despite the madcap premise, the film is also a reflection on the regrets, sadness and indignities of old age, with Elvis mourning his lost potential, and his body’s decline (in a scatalogically graphic narration). Like its protagonists, this film shouldn’t be forgotten as it ages, but allowed its time to shine forever. Watch (or re-watch) to avoid spoilers and join us.
…
continue reading
281 episodes
MP3•Episode home
Manage episode 506189232 series 1454236
Content provided by Welcome to Horror. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Welcome to Horror or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://podcastplayer.com/legal.
This week, we’re discussing Don Coscarelli’s “Bubba Ho-Tep”, and usually at this point, we would write a few amusing sentences about the film. But nothing we can come up with beats this premise: Elvis Presley didn’t die and is now stuck in an Old People’s Home in Texas. He teams up with a fellow resident (a black man who claims to be a post-assassination JFK) to fight a soul-sucking Mummy in Cowboy boots. Seen and loved by many at the time of release, now 23 years later, “Bubba Ho-Tep” seems, sadly, overlooked. Despite its horror royalty combination of “Phantasm” creator Coscarelli behind the camera, and a magnificent portrayal of a bitter and forgotten Elvis/delusional Elvis impersonator by Bruce Campbell (in possibly his best role outside of “The Evil Dead”’s Ash), it just doesn’t seem to get mentioned much anymore. Which is a shame; Campbell’s marvellous double act with the impeccable Ossie Davis as JFK give this mondo idea some real humour and heart. Despite the madcap premise, the film is also a reflection on the regrets, sadness and indignities of old age, with Elvis mourning his lost potential, and his body’s decline (in a scatalogically graphic narration). Like its protagonists, this film shouldn’t be forgotten as it ages, but allowed its time to shine forever. Watch (or re-watch) to avoid spoilers and join us.
…
continue reading
281 episodes
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