In the 1980s, there were only 63 Black films by, for, or about Black Americans. But in the 1990s, that number quadrupled, with 220 Black films making their way to cinema screens nationwide. What sparked this “Black New Wave?” Who blazed this path for contemporaries like Ava DuVernay, Kasi Lemmons and Jordan Peele? And how did these films transform American culture as a whole? Presenting The Class of 1989, a new limited-run series from pop culture critics Len Webb and Vincent Williams, hosts ...
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#36: Basic/Sonny (with Robert Daniels)
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Manage episode 297819208 series 1784147
Content provided by Nathan Rabin. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Nathan Rabin or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://podcastplayer.com/legal.
This week on the podcast, we’re joined by film critic Robert Daniels (of 812filmreviews and a contributor to RogerEbert.com, NY Times, Vulture, and others) to break down an exceedingly strange double feature in our heroes’ oeuvre! First up is Basic, the final film to date from John “Die Hard” McTiernan, which sees John Travolta return to the military-legal-thriller well after General’s Daughter. Here, he plays (no shit) Tom Hardy, a sardonic crooked DEA agent roped into a murder investigation of his former hard-ass CO (Samuel L. Jackson, spitting ‘motherfucker’s from beyond the grave). It’s a wild, ropey ride with more twists than a loaf of challah. On the other side of the coin, we see what happens when Nicolas Cage ropes his actor friends into a warmed-over Tennessee Williams riff with his first (and only) director credit to date, the disastrous Sonny! James Franco pops up as a pouty gigolo-turned-army-vet returning home from the war to N’awlins and his brothel-madam mother (Brenda Blethyn), who just won’t stop trying to get him to turn tricks again. Also, Cage shows up in a lace cravat for five minutes and shouts at Franco while trying to both kill him and suck his dick. Le cinema! Pledge to our Patreon at patreon.com/travoltacage Follow us on Twitter @travoltacage Email us questions at [email protected] Podcast theme by Jon Biegen Podcast logo by Felipe Sobreiro
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124 episodes
MP3•Episode home
Manage episode 297819208 series 1784147
Content provided by Nathan Rabin. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Nathan Rabin or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://podcastplayer.com/legal.
This week on the podcast, we’re joined by film critic Robert Daniels (of 812filmreviews and a contributor to RogerEbert.com, NY Times, Vulture, and others) to break down an exceedingly strange double feature in our heroes’ oeuvre! First up is Basic, the final film to date from John “Die Hard” McTiernan, which sees John Travolta return to the military-legal-thriller well after General’s Daughter. Here, he plays (no shit) Tom Hardy, a sardonic crooked DEA agent roped into a murder investigation of his former hard-ass CO (Samuel L. Jackson, spitting ‘motherfucker’s from beyond the grave). It’s a wild, ropey ride with more twists than a loaf of challah. On the other side of the coin, we see what happens when Nicolas Cage ropes his actor friends into a warmed-over Tennessee Williams riff with his first (and only) director credit to date, the disastrous Sonny! James Franco pops up as a pouty gigolo-turned-army-vet returning home from the war to N’awlins and his brothel-madam mother (Brenda Blethyn), who just won’t stop trying to get him to turn tricks again. Also, Cage shows up in a lace cravat for five minutes and shouts at Franco while trying to both kill him and suck his dick. Le cinema! Pledge to our Patreon at patreon.com/travoltacage Follow us on Twitter @travoltacage Email us questions at [email protected] Podcast theme by Jon Biegen Podcast logo by Felipe Sobreiro
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continue reading
124 episodes
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