In the 1980s, there were only 63 Black films by, for, or about Black Americans. But in the 1990s, that number quadrupled, with 220 Black films making their way to cinema screens nationwide. What sparked this “Black New Wave?” Who blazed this path for contemporaries like Ava DuVernay, Kasi Lemmons and Jordan Peele? And how did these films transform American culture as a whole? Presenting The Class of 1989, a new limited-run series from pop culture critics Len Webb and Vincent Williams, hosts ...
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Meet Charlie Brown
Manage episode 509738439 series 3278906
Content provided by The Retrospectors. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by The Retrospectors or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://podcastplayer.com/legal.
Happy 75th birthday, ‘Peanuts’! Charles Shulz’ iconic comic strip made its debut (although Snoopy had yet to appear) on 2nd October, 1950.
Peanuts would grow into a global phenomenon, running in 2,600 papers across 75 countries. At its peak, it was translated into 21 languages - but never lost its bittersweet mix of humour, disappointment, and charm, making Charlie Brown and the gang cultural touchstones for decades.
The first words of the strip? “Here comes good ol’ Charlie Brown… How I hate him.” This tone was a notable departure from the loud, chaotic, adventure stories that dominated ‘the funny pages’ at the time. Schulz’ characters weren’t fighting villains or chasing treasure: they were kids, wrestling with life’s quiet frustrations, hopes, and existential questions. It was postwar suburban America in miniature, disguised as a children’s comic, but also aimed at the grown-ups reading the paper over their morning coffee.
In this episode, Arion, Rebecca and Olly consider why the strip became such a hit; reveal how Schulz’s own childhood got reflected in his characters; and marvel at how, despite his IP becoming a massive merchandising juggernaut, the cartoonist kept control over his creations until the day he died…
Further Reading:
• ‘Peanuts Comic Strip Debut October 2 1950’ (TIME, 2014): https://time.com/3445127/peanuts/
• ‘Peanuts' Creator Charles Schulz Dies’ (The Washington Post, 2000): https://www.washingtonpost.com/archive/politics/2000/02/14/peanuts-creator-charles-schulz-dies/f742958c-dffe-4cef-a481-b9d2cd2749c2/
• ‘Charles M. Schulz on CHARLIE BROWN | Everyman’ (BBC, 1977): https://www.youtube.com/watch?v=hzu8aLpzIKw
#Comics #50s #Publishing #US
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… Plus, get weekly bonus bits, and unlock over 100 bits of extra content.
Join now with a free trial on Apple Podcasts or Patreon and support our show ❤️
The Retrospectors are Olly Mann, Rebecca Messina & Arion McNicoll, with Matt Hill.
Theme Music: Pass The Peas. Announcer: Bob Ravelli. Graphic Design: Terry Saunders. Edit Producer: Ollie Peart
Copyright: Rethink Audio / Olly Mann 2025.
Learn more about your ad choices. Visit podcastchoices.com/adchoices
1147 episodes
Share
Manage episode 509738439 series 3278906
Content provided by The Retrospectors. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by The Retrospectors or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://podcastplayer.com/legal.
Happy 75th birthday, ‘Peanuts’! Charles Shulz’ iconic comic strip made its debut (although Snoopy had yet to appear) on 2nd October, 1950.
Peanuts would grow into a global phenomenon, running in 2,600 papers across 75 countries. At its peak, it was translated into 21 languages - but never lost its bittersweet mix of humour, disappointment, and charm, making Charlie Brown and the gang cultural touchstones for decades.
The first words of the strip? “Here comes good ol’ Charlie Brown… How I hate him.” This tone was a notable departure from the loud, chaotic, adventure stories that dominated ‘the funny pages’ at the time. Schulz’ characters weren’t fighting villains or chasing treasure: they were kids, wrestling with life’s quiet frustrations, hopes, and existential questions. It was postwar suburban America in miniature, disguised as a children’s comic, but also aimed at the grown-ups reading the paper over their morning coffee.
In this episode, Arion, Rebecca and Olly consider why the strip became such a hit; reveal how Schulz’s own childhood got reflected in his characters; and marvel at how, despite his IP becoming a massive merchandising juggernaut, the cartoonist kept control over his creations until the day he died…
Further Reading:
• ‘Peanuts Comic Strip Debut October 2 1950’ (TIME, 2014): https://time.com/3445127/peanuts/
• ‘Peanuts' Creator Charles Schulz Dies’ (The Washington Post, 2000): https://www.washingtonpost.com/archive/politics/2000/02/14/peanuts-creator-charles-schulz-dies/f742958c-dffe-4cef-a481-b9d2cd2749c2/
• ‘Charles M. Schulz on CHARLIE BROWN | Everyman’ (BBC, 1977): https://www.youtube.com/watch?v=hzu8aLpzIKw
#Comics #50s #Publishing #US
Love the show? Support us!
Join 🌴CLUB RETROSPECTORS🌴to DITCH THE ADS and get an additional full-length episode each SUNDAY…
… Plus, get weekly bonus bits, and unlock over 100 bits of extra content.
Join now with a free trial on Apple Podcasts or Patreon and support our show ❤️
The Retrospectors are Olly Mann, Rebecca Messina & Arion McNicoll, with Matt Hill.
Theme Music: Pass The Peas. Announcer: Bob Ravelli. Graphic Design: Terry Saunders. Edit Producer: Ollie Peart
Copyright: Rethink Audio / Olly Mann 2025.
Learn more about your ad choices. Visit podcastchoices.com/adchoices
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Similar to Today In History with The Retrospectors
In the 1980s, there were only 63 Black films by, for, or about Black Americans. But in the 1990s, that number quadrupled, with 220 Black films making their way to cinema screens nationwide. What sparked this “Black New Wave?” Who blazed this path for contemporaries like Ava DuVernay, Kasi Lemmons and Jordan Peele? And how did these films transform American culture as a whole? Presenting The Class of 1989, a new limited-run series from pop culture critics Len Webb and Vincent Williams, hosts ...
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