In the 1980s, there were only 63 Black films by, for, or about Black Americans. But in the 1990s, that number quadrupled, with 220 Black films making their way to cinema screens nationwide. What sparked this “Black New Wave?” Who blazed this path for contemporaries like Ava DuVernay, Kasi Lemmons and Jordan Peele? And how did these films transform American culture as a whole? Presenting The Class of 1989, a new limited-run series from pop culture critics Len Webb and Vincent Williams, hosts ...
…
continue reading
Content provided by Sarah Crompton & Alex Wood, Sarah Crompton, and Alex Wood. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Sarah Crompton & Alex Wood, Sarah Crompton, and Alex Wood or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://podcastplayer.com/legal.
Player FM - Podcast App
Go offline with the Player FM app!
Go offline with the Player FM app!
Will social media be the end of theatre critics? And are there too many standing ovations?
MP3•Episode home
Manage episode 489488131 series 3600372
Content provided by Sarah Crompton & Alex Wood, Sarah Crompton, and Alex Wood. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Sarah Crompton & Alex Wood, Sarah Crompton, and Alex Wood or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://podcastplayer.com/legal.
It's a two-part episode as Alex and Sarah reunite after a few weeks out in the wild! Social media is all abuzz with clips of Rachel Zegler's performance of "Don't Cry For Me Argentinia" in Evita at The London Palladium. The only ones not talking about it? Theatre critics – who have to wait until early July to give their verdicts on the show. With weeks of embargoes, are critics having a tough time either cutting through the social media noise, or even being able to say anything before a show's initial excitement has died down? Separately, Sarah has some thoughts on the increasing trend towards the obligatory standing ovation – do more audiences need to sit down and stop rocking the boat?
…
continue reading
Hosted on Acast. See acast.com/privacy for more information.
184 episodes
MP3•Episode home
Manage episode 489488131 series 3600372
Content provided by Sarah Crompton & Alex Wood, Sarah Crompton, and Alex Wood. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Sarah Crompton & Alex Wood, Sarah Crompton, and Alex Wood or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://podcastplayer.com/legal.
It's a two-part episode as Alex and Sarah reunite after a few weeks out in the wild! Social media is all abuzz with clips of Rachel Zegler's performance of "Don't Cry For Me Argentinia" in Evita at The London Palladium. The only ones not talking about it? Theatre critics – who have to wait until early July to give their verdicts on the show. With weeks of embargoes, are critics having a tough time either cutting through the social media noise, or even being able to say anything before a show's initial excitement has died down? Separately, Sarah has some thoughts on the increasing trend towards the obligatory standing ovation – do more audiences need to sit down and stop rocking the boat?
…
continue reading
Hosted on Acast. See acast.com/privacy for more information.
184 episodes
All episodes
×Welcome to Player FM!
Player FM is scanning the web for high-quality podcasts for you to enjoy right now. It's the best podcast app and works on Android, iPhone, and the web. Signup to sync subscriptions across devices.