Chris Stamey has long been a quietly pivotal figure in American music. From co-founding the influential avant-pop band The dB’s and releasing early indie classics, to his work with Alex Chilton, Big Star’s Jody Stephens, and a wide array of sonic adventurers, his career has bridged the experimental and the melodic, the cerebral and the emotional.

With his latest album, Anything Is Possible, Stamey returns not to the past, but to the feelings that defined it, particularly the wonder and harmonic richness of AM radio pop from the late 1950s and early ’60s. Featuring collaborators like the the Lemon Twigs, Marshall Crenshaw, Mitch Easter, and members of the Brian Wilson band and Wilco, the record is both deeply personal and richly collaborative, built from meticulous arrangements and inspired improvisations.

Stamey’s journey—from CBGBs to Chapel Hill, from indie icon to orchestrator of Big Star’s Third concerts—has always been about curiosity, craft, and a refusal to settle into any single identity. In this conversation, we speak with Stamey about the making of Anything Is Possible, his thoughts on musical memory, harmonic language, and collaboration, and how decades of experience continue to sharpen his vision rather than blur it.