In the 1980s, there were only 63 Black films by, for, or about Black Americans. But in the 1990s, that number quadrupled, with 220 Black films making their way to cinema screens nationwide. What sparked this “Black New Wave?” Who blazed this path for contemporaries like Ava DuVernay, Kasi Lemmons and Jordan Peele? And how did these films transform American culture as a whole? Presenting The Class of 1989, a new limited-run series from pop culture critics Len Webb and Vincent Williams, hosts ...
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Content provided by Meg LeFauve & Lorien McKenna, Meg LeFauve, and Lorien McKenna. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Meg LeFauve & Lorien McKenna, Meg LeFauve, and Lorien McKenna or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://player.fm/legal.
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Indie Film Craft 1 | Tyler Nilson and Michael Schwartz (The Peanut Butter Falcon, Los Frikis) Discuss Authentic Collaboration
Manage episode 473760230 series 2856508
Content provided by Meg LeFauve & Lorien McKenna, Meg LeFauve, and Lorien McKenna. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Meg LeFauve & Lorien McKenna, Meg LeFauve, and Lorien McKenna or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://podcastplayer.com/legal.
WATCH LOS FRIKIS: https://www.primevideo.com/detail/Los-Frikis/0H49M436MMS223JUKJ26Q95EKJ
READ ALONG: https://drive.google.com/file/d/1a3QojbCeXG11xowk5u6y-RONQhCSguwG/view?usp=drive_link
Tyler Nilson and Michael Schwartz are the first to admit "they're not the cool kids." Their widely celebrated debut THE PEANUT BUTTER FALCON was bootstrapped by grit, hard work, and a ferocious commitment to making something authentic, and that same spirit fills every frame of their follow-up film, LOS FRIKIS. Like the filmmakers themselves, the movie follows a group of lovable outsiders finding their own way to make beautiful art in a system that opposes it. In today's conversation with Jeffrey Crane Graham, they discuss how filmmaking is like building a house: pre-production is a blueprint, production is about "collecting lumber," and post-production is an act of construction.
Learn more about your ad choices. Visit megaphone.fm/adchoices
259 episodes
Share
Manage episode 473760230 series 2856508
Content provided by Meg LeFauve & Lorien McKenna, Meg LeFauve, and Lorien McKenna. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Meg LeFauve & Lorien McKenna, Meg LeFauve, and Lorien McKenna or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://podcastplayer.com/legal.
WATCH LOS FRIKIS: https://www.primevideo.com/detail/Los-Frikis/0H49M436MMS223JUKJ26Q95EKJ
READ ALONG: https://drive.google.com/file/d/1a3QojbCeXG11xowk5u6y-RONQhCSguwG/view?usp=drive_link
Tyler Nilson and Michael Schwartz are the first to admit "they're not the cool kids." Their widely celebrated debut THE PEANUT BUTTER FALCON was bootstrapped by grit, hard work, and a ferocious commitment to making something authentic, and that same spirit fills every frame of their follow-up film, LOS FRIKIS. Like the filmmakers themselves, the movie follows a group of lovable outsiders finding their own way to make beautiful art in a system that opposes it. In today's conversation with Jeffrey Crane Graham, they discuss how filmmaking is like building a house: pre-production is a blueprint, production is about "collecting lumber," and post-production is an act of construction.
Learn more about your ad choices. Visit megaphone.fm/adchoices
259 episodes
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Similar to The Screenwriting Life with Meg LeFauve and Lorien McKenna
In the 1980s, there were only 63 Black films by, for, or about Black Americans. But in the 1990s, that number quadrupled, with 220 Black films making their way to cinema screens nationwide. What sparked this “Black New Wave?” Who blazed this path for contemporaries like Ava DuVernay, Kasi Lemmons and Jordan Peele? And how did these films transform American culture as a whole? Presenting The Class of 1989, a new limited-run series from pop culture critics Len Webb and Vincent Williams, hosts ...
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…
continue reading
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continue reading
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continue reading
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…
continue reading
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…
continue reading
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continue reading
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continue reading
Player FM - Podcast App
Go offline with the Player FM app!
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