In For Scores, host Jon Burlingame takes listeners on a magical journey into the world of film and television composers, revealing never-before-heard special moments behind many of today's most beloved scores. This season, you'll hear personal stories from the composers of Marvel Studios Avengers and Pixar's Toy Story films, Captain Marvel, Coco, Ralph Breaks the Internet, and so much more!
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Episode 20 with David Grissom (Storyville, John Mellencamp, Joe Ely, Austin based Solo Artist)
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Content provided by The Riff Raff with Shane Theriot. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by The Riff Raff with Shane Theriot or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://podcastplayer.com/legal.
What is it about Texas and it's reputation for gunslingin' killer guitar players? You know the old cliche' "something in the water?", well, this certainly applies to the Lone Star State...think of the guitarists that have emerged from here- Stevie Ray and Jimmie Vaughn, Eric Johnson, Billy Gibbons, David Holt, Charlie Sexton, and newer cats like Carter Arrington- etc..but way up at the top of that list is my guest today- Mr. David Grissom. A veteran of the John Mellencamp band, Joe Ely, Storyville and the Dixie Chicks, he's also appeared on many records as a session player and songwriter. I've known David for a long time as you'll hear- we toured together for a few months in the late 90's with BB King when I was in the Neville Brothers and he was in Storyville.
In this interview we talk early days in Austin, string bending, influences, gear, Mellencamp, Lloyd Maines and steel guitar as an influence, Norman Blake, Ringo Starr, solo records etc...and much more. Couple of great little jams in here too!
On a nice day in Austin I got in an Uber from the hotel and headed over to David's studio where we did this interview. Hope you enjoy!
Recorded Austin, TX Sept 2017
Support this podcast at — https://redcircle.com/the-riff-raff-with-shane-theriot/donations
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81 episodes
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Content provided by The Riff Raff with Shane Theriot. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by The Riff Raff with Shane Theriot or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://podcastplayer.com/legal.
What is it about Texas and it's reputation for gunslingin' killer guitar players? You know the old cliche' "something in the water?", well, this certainly applies to the Lone Star State...think of the guitarists that have emerged from here- Stevie Ray and Jimmie Vaughn, Eric Johnson, Billy Gibbons, David Holt, Charlie Sexton, and newer cats like Carter Arrington- etc..but way up at the top of that list is my guest today- Mr. David Grissom. A veteran of the John Mellencamp band, Joe Ely, Storyville and the Dixie Chicks, he's also appeared on many records as a session player and songwriter. I've known David for a long time as you'll hear- we toured together for a few months in the late 90's with BB King when I was in the Neville Brothers and he was in Storyville.
In this interview we talk early days in Austin, string bending, influences, gear, Mellencamp, Lloyd Maines and steel guitar as an influence, Norman Blake, Ringo Starr, solo records etc...and much more. Couple of great little jams in here too!
On a nice day in Austin I got in an Uber from the hotel and headed over to David's studio where we did this interview. Hope you enjoy!
Recorded Austin, TX Sept 2017
Support this podcast at — https://redcircle.com/the-riff-raff-with-shane-theriot/donations
Advertising Inquiries: https://redcircle.com/brands
Privacy & Opt-Out: https://redcircle.com/privacy
81 episodes
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Similar to The Riff Raff with Shane Theriot
In For Scores, host Jon Burlingame takes listeners on a magical journey into the world of film and television composers, revealing never-before-heard special moments behind many of today's most beloved scores. This season, you'll hear personal stories from the composers of Marvel Studios Avengers and Pixar's Toy Story films, Captain Marvel, Coco, Ralph Breaks the Internet, and so much more!
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continue reading
Barry first found music when he borrowed his sister's record collection when he was about eight and was hooked. When Caroline started it was a new beginning, and he listened to all the stations, but Caroline was his favourite by far. Later he became a singer in a band, then started doing discos when he was 18. He joined Caroline in 1977, touring the country with the Caroline Roadshow for 10 years, having great fun. Barry helped with tender trips and worked on the Ross Revenge in '84 and '85. ...
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continue reading
Formerly the Metal Injection Livecast, a weekly skewering of pop culture and beyond from the minds of 3 rock fans. Hosted on Acast. See acast.com/privacy for more information.
…
continue reading
This blues podcast brings the best of blues music to ya, old and new, signed and unsigned! Get a refill on your favorite drink, grab a seat, and get ready to get some blues in the blood!
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continue reading
this podcast is going to be all about 60's music. the goal with this podcast is to educate a younger generation on one of the greatest decades of music of all time, and to prove to people that Millennials can love 60's music as well and it's not just for Baby boomers. Each week I"m going to review one song by one artist from the 60's and split the podcast into two halfs. first half is going to be my perspective and my opinion on the song and why I think it's so good or why I don't think it's ...
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continue reading
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continue reading
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continue reading
Host Julie Amacher provides an in-depth exploration of a new classical music release each week.
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The Sounds in My Head is a biweekly music show featuring songs and bands you might have missed. Hosted by Daniel since 2004. Musically The Sounds in My Head attempts to be fairly eclectic, but probably tends to lean towards "indie pop" music. Also, I try to squeeze in as much left-wing propaganda as possible between tracks.
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