In the 1980s, there were only 63 Black films by, for, or about Black Americans. But in the 1990s, that number quadrupled, with 220 Black films making their way to cinema screens nationwide. What sparked this “Black New Wave?” Who blazed this path for contemporaries like Ava DuVernay, Kasi Lemmons and Jordan Peele? And how did these films transform American culture as a whole? Presenting The Class of 1989, a new limited-run series from pop culture critics Len Webb and Vincent Williams, hosts ...
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DAY OF THE DEAD
Manage episode 496936608 series 2862646
Content provided by Mike Snoonian. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Mike Snoonian or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://podcastplayer.com/legal.
In this episode of The Pod and the Pendulum, host Mike Snoonian and Brian Kieper welcome film blogger Sarah Miles on to delve into the 1985 horror classic Day of the Dead. They explore the film's production challenges, Romero's directorial choices, and Tom Savini's finest work in creating the best looking zombies ever on screen. We discuss the film's lackluster initial reception, and the reappraisal it's earned over the years as a thoughtful critique on the Reagan years, military expansion, and the breakdown of community.
If you like what you’re listening to make sure to subscribe wherever you get your podcast feeds.
Please take a moment to rate and review us on the Apple Podcast app, or rate us on the Spotify app. Reviews and five star ratings help new listeners find us every day, and we greatly appreciate the feedback and support.
Check out our website for easy access to our full catalog of shows, with hundreds of hours of free content. You can search the catalog, leave a review and even leave us feedback all from the site. Go to www.podandthependulum.com to check it out.
If you have the means, consider becoming a patron today and support the show. Patreon members get exclusive full length episodes, audio fan commentaries, exclusive mini-sodes and more. Join today at patreon.com/podandthependulum.
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Manage episode 496936608 series 2862646
Content provided by Mike Snoonian. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Mike Snoonian or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://podcastplayer.com/legal.
In this episode of The Pod and the Pendulum, host Mike Snoonian and Brian Kieper welcome film blogger Sarah Miles on to delve into the 1985 horror classic Day of the Dead. They explore the film's production challenges, Romero's directorial choices, and Tom Savini's finest work in creating the best looking zombies ever on screen. We discuss the film's lackluster initial reception, and the reappraisal it's earned over the years as a thoughtful critique on the Reagan years, military expansion, and the breakdown of community.
If you like what you’re listening to make sure to subscribe wherever you get your podcast feeds.
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Check out our website for easy access to our full catalog of shows, with hundreds of hours of free content. You can search the catalog, leave a review and even leave us feedback all from the site. Go to www.podandthependulum.com to check it out.
If you have the means, consider becoming a patron today and support the show. Patreon members get exclusive full length episodes, audio fan commentaries, exclusive mini-sodes and more. Join today at patreon.com/podandthependulum.
298 episodes
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Similar to The Pod and the Pendulum
In the 1980s, there were only 63 Black films by, for, or about Black Americans. But in the 1990s, that number quadrupled, with 220 Black films making their way to cinema screens nationwide. What sparked this “Black New Wave?” Who blazed this path for contemporaries like Ava DuVernay, Kasi Lemmons and Jordan Peele? And how did these films transform American culture as a whole? Presenting The Class of 1989, a new limited-run series from pop culture critics Len Webb and Vincent Williams, hosts ...
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