In the 1980s, there were only 63 Black films by, for, or about Black Americans. But in the 1990s, that number quadrupled, with 220 Black films making their way to cinema screens nationwide. What sparked this “Black New Wave?” Who blazed this path for contemporaries like Ava DuVernay, Kasi Lemmons and Jordan Peele? And how did these films transform American culture as a whole? Presenting The Class of 1989, a new limited-run series from pop culture critics Len Webb and Vincent Williams, hosts ...
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The Optical 017 - Matte Painter Jesse Silver
Manage episode 294209453 series 2935525
Content provided by Mark Boszko. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Mark Boszko or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://podcastplayer.com/legal.
Complete show notes (with links) available at http://opticalpodcast.com/episode/017 We chat with matte painter Jesse Silver about his work on Tron, Something Wicked This Way Comes, Labyrinth, moving from real paint to digital for Super Mario Bros., and one high-pressure effects house that had phones in the toilet stalls. Listen for your chance to win a free 1-year print subscription to Cinefex magazine. Improve your 2015 with a 10-day free trial of training videos from http://lynda.com/optical. Subscribe to the Podcast * Subscribe in iTunes * Follow on Soundcloud * Enhanced AAC podcast feed * MP3 podcast feed Sponsors * Cinefex magazine — The journal of cinematic illusions. * Lynda.com — Start learning today. Features * Something Wicked This Way Comes (1983) * Follow along with our List on Letterboxd, featuring films we’ve covered, and upcoming films to watch. Guests * Brian Covey, Friend of the Podcast Music * All tracks by Digital Droo Research Materials * Cinefex 12 — April 1983, also available in the Cinefex iPad app * Revisiting Cinefex (12): Something Wicked, Stop-Motion and Dream Quest by Graham Edwards More Bits * See http://opticalpodcast.com/episode/016 for complete show notes. As ever * The Optical theme by Digital Droo * The Optical “aperture” logo by Mike Gower --- Send in a voice message: https://podcasters.spotify.com/pod/show/theoptical/message
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Manage episode 294209453 series 2935525
Content provided by Mark Boszko. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Mark Boszko or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://podcastplayer.com/legal.
Complete show notes (with links) available at http://opticalpodcast.com/episode/017 We chat with matte painter Jesse Silver about his work on Tron, Something Wicked This Way Comes, Labyrinth, moving from real paint to digital for Super Mario Bros., and one high-pressure effects house that had phones in the toilet stalls. Listen for your chance to win a free 1-year print subscription to Cinefex magazine. Improve your 2015 with a 10-day free trial of training videos from http://lynda.com/optical. Subscribe to the Podcast * Subscribe in iTunes * Follow on Soundcloud * Enhanced AAC podcast feed * MP3 podcast feed Sponsors * Cinefex magazine — The journal of cinematic illusions. * Lynda.com — Start learning today. Features * Something Wicked This Way Comes (1983) * Follow along with our List on Letterboxd, featuring films we’ve covered, and upcoming films to watch. Guests * Brian Covey, Friend of the Podcast Music * All tracks by Digital Droo Research Materials * Cinefex 12 — April 1983, also available in the Cinefex iPad app * Revisiting Cinefex (12): Something Wicked, Stop-Motion and Dream Quest by Graham Edwards More Bits * See http://opticalpodcast.com/episode/016 for complete show notes. As ever * The Optical theme by Digital Droo * The Optical “aperture” logo by Mike Gower --- Send in a voice message: https://podcasters.spotify.com/pod/show/theoptical/message
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Similar to The Optical
In the 1980s, there were only 63 Black films by, for, or about Black Americans. But in the 1990s, that number quadrupled, with 220 Black films making their way to cinema screens nationwide. What sparked this “Black New Wave?” Who blazed this path for contemporaries like Ava DuVernay, Kasi Lemmons and Jordan Peele? And how did these films transform American culture as a whole? Presenting The Class of 1989, a new limited-run series from pop culture critics Len Webb and Vincent Williams, hosts ...
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