In the 1980s, there were only 63 Black films by, for, or about Black Americans. But in the 1990s, that number quadrupled, with 220 Black films making their way to cinema screens nationwide. What sparked this “Black New Wave?” Who blazed this path for contemporaries like Ava DuVernay, Kasi Lemmons and Jordan Peele? And how did these films transform American culture as a whole? Presenting The Class of 1989, a new limited-run series from pop culture critics Len Webb and Vincent Williams, hosts ...
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Ep 642: Christopher Nelson
Manage episode 507894502 series 2394319
Content provided by Adam Green and ArieScope Pictures. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Adam Green and ArieScope Pictures or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://podcastplayer.com/legal.
Academy Award winning make-up FX artist Christopher Nelson (KILL BILL Vol 1 & 2, SUICIDE SQUAD 2016, HALLOWEEN 2018, HALLOWEEN KILLS, HALLOWEEN ENDS, AMERICAN HORROR STORY) joins Adam and Joe in the ArieScope studio to discuss his incredible career journey. From growing up on a healthy diet of Fangoria magazines and going to the movies as often as possible… to becoming consumed with the dream of making movies after seeing NIGHT OF THE LIVING DEAD on TV and then enamored with make-up FX after seeing DAWN OF THE DEAD in the theater… to a lifetime of FX work that lead him all the way to China where he worked with the great Quentin Tarantino on the KILL BILL movies… to winning Emmy Awards for his work on AMERICAN HORROR STORY… to almost walking away from working on SUICIDE SQUAD (2016) two different times before winning an Academy Award for his work on the film… to his amazing and surreal experience at the Oscars… to the pressure that came with taking the FX reigns on the beloved HALLOWEEN franchise and its highly opinionated fan base… to what it meant to see his Michael Myers mask on a banner for HALLOWEEN (2018) hanging from a sound stage at Universal Studios… to his thoughts on the current state of the industry and entertainment in general, Chris is a true giant at his craft and this candid conversation is one that every cinephile is sure to enjoy.
Want to stop hearing ads? Support THE MOVIE CRYPT on Patreon.com/TheMovieCrypt for just $1 a month and get every new episode, ad-free and downloaded right to your podcast app of choice with your RSS code!
465 episodes
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Manage episode 507894502 series 2394319
Content provided by Adam Green and ArieScope Pictures. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Adam Green and ArieScope Pictures or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://podcastplayer.com/legal.
Academy Award winning make-up FX artist Christopher Nelson (KILL BILL Vol 1 & 2, SUICIDE SQUAD 2016, HALLOWEEN 2018, HALLOWEEN KILLS, HALLOWEEN ENDS, AMERICAN HORROR STORY) joins Adam and Joe in the ArieScope studio to discuss his incredible career journey. From growing up on a healthy diet of Fangoria magazines and going to the movies as often as possible… to becoming consumed with the dream of making movies after seeing NIGHT OF THE LIVING DEAD on TV and then enamored with make-up FX after seeing DAWN OF THE DEAD in the theater… to a lifetime of FX work that lead him all the way to China where he worked with the great Quentin Tarantino on the KILL BILL movies… to winning Emmy Awards for his work on AMERICAN HORROR STORY… to almost walking away from working on SUICIDE SQUAD (2016) two different times before winning an Academy Award for his work on the film… to his amazing and surreal experience at the Oscars… to the pressure that came with taking the FX reigns on the beloved HALLOWEEN franchise and its highly opinionated fan base… to what it meant to see his Michael Myers mask on a banner for HALLOWEEN (2018) hanging from a sound stage at Universal Studios… to his thoughts on the current state of the industry and entertainment in general, Chris is a true giant at his craft and this candid conversation is one that every cinephile is sure to enjoy.
Want to stop hearing ads? Support THE MOVIE CRYPT on Patreon.com/TheMovieCrypt for just $1 a month and get every new episode, ad-free and downloaded right to your podcast app of choice with your RSS code!
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Similar to The Movie Crypt
In the 1980s, there were only 63 Black films by, for, or about Black Americans. But in the 1990s, that number quadrupled, with 220 Black films making their way to cinema screens nationwide. What sparked this “Black New Wave?” Who blazed this path for contemporaries like Ava DuVernay, Kasi Lemmons and Jordan Peele? And how did these films transform American culture as a whole? Presenting The Class of 1989, a new limited-run series from pop culture critics Len Webb and Vincent Williams, hosts ...
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…
continue reading
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