In For Scores, host Jon Burlingame takes listeners on a magical journey into the world of film and television composers, revealing never-before-heard special moments behind many of today's most beloved scores. This season, you'll hear personal stories from the composers of Marvel Studios Avengers and Pixar's Toy Story films, Captain Marvel, Coco, Ralph Breaks the Internet, and so much more!
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The Mastering Show #98 - Stem mastering, Dynamics and Dolby Atmos at Abbey Road (with Oli Morgan)
Manage episode 474654043 series 129793
Content provided by The Mastering Show Podcast. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by The Mastering Show Podcast or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://podcastplayer.com/legal.
'Stem mastering' has provoked a ton of debate recently, with people claiming it crosses the line between mixing and mastering, interferes with the artist's intent, and isn't even really mastering at all !
But if that's true, why would Abbey Road, one of the biggest mastering studios in the world, offer a dedicated stem mastering service ?!
In this episode I talk to Oli Morgan, who specialises in stem mastering and mixing in mastering in Dolby Atmos at Abbey Road, about all these questions and more. We talk about:
- How he got started in mastering (and what that has in common with me)
- His perspective on stem mastering – when and how it can be helpful
- How (and why) stem mastering is a key element for working in Immersive Audio and Dolby Atmos
- What we can learn about dynamics from working in Dolby Atmos
- Why the 'pressure sound' may not be all about heavy limiting
- How we might be able to have our cake and eat it in the quest to balance loudness and dynamics
Full links on our website:
www.themasteringshow.com/episode-98
Mentioned in this episode:
Tools
For Ian's mastering plugins, click HERE
Learn to master !
Click HERE to see Ian's courses and mastering resources
Mastering
104 episodes
Share
Manage episode 474654043 series 129793
Content provided by The Mastering Show Podcast. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by The Mastering Show Podcast or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://podcastplayer.com/legal.
'Stem mastering' has provoked a ton of debate recently, with people claiming it crosses the line between mixing and mastering, interferes with the artist's intent, and isn't even really mastering at all !
But if that's true, why would Abbey Road, one of the biggest mastering studios in the world, offer a dedicated stem mastering service ?!
In this episode I talk to Oli Morgan, who specialises in stem mastering and mixing in mastering in Dolby Atmos at Abbey Road, about all these questions and more. We talk about:
- How he got started in mastering (and what that has in common with me)
- His perspective on stem mastering – when and how it can be helpful
- How (and why) stem mastering is a key element for working in Immersive Audio and Dolby Atmos
- What we can learn about dynamics from working in Dolby Atmos
- Why the 'pressure sound' may not be all about heavy limiting
- How we might be able to have our cake and eat it in the quest to balance loudness and dynamics
Full links on our website:
www.themasteringshow.com/episode-98
Mentioned in this episode:
Tools
For Ian's mastering plugins, click HERE
Learn to master !
Click HERE to see Ian's courses and mastering resources
Mastering
104 episodes
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Similar to The Mastering Show
In For Scores, host Jon Burlingame takes listeners on a magical journey into the world of film and television composers, revealing never-before-heard special moments behind many of today's most beloved scores. This season, you'll hear personal stories from the composers of Marvel Studios Avengers and Pixar's Toy Story films, Captain Marvel, Coco, Ralph Breaks the Internet, and so much more!
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continue reading
Barry first found music when he borrowed his sister's record collection when he was about eight and was hooked. When Caroline started it was a new beginning, and he listened to all the stations, but Caroline was his favourite by far. Later he became a singer in a band, then started doing discos when he was 18. He joined Caroline in 1977, touring the country with the Caroline Roadshow for 10 years, having great fun. Barry helped with tender trips and worked on the Ross Revenge in '84 and '85. ...
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continue reading
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…
continue reading
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…
continue reading
Formerly the Metal Injection Livecast, a weekly skewering of pop culture and beyond from the minds of 3 rock fans. Hosted on Acast. See acast.com/privacy for more information.
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continue reading
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continue reading
this podcast is going to be all about 60's music. the goal with this podcast is to educate a younger generation on one of the greatest decades of music of all time, and to prove to people that Millennials can love 60's music as well and it's not just for Baby boomers. Each week I"m going to review one song by one artist from the 60's and split the podcast into two halfs. first half is going to be my perspective and my opinion on the song and why I think it's so good or why I don't think it's ...
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continue reading
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continue reading
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continue reading
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