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28: 8. Later Films and the Importance of Sid Scott Eyman Charlie Chaplin versus America: When Art, Sex, and Politics Collided Chaplin's first European film, A King in New York (1957), suffered as he struggled with English union rules, highlighting his dep

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Manage episode 515652738 series 96788
Content provided by Audioboom and John Batchelor. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Audioboom and John Batchelor or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://podcastplayer.com/legal.
8. Later Films and the Importance of Sid

Scott Eyman
Charlie Chaplin versus America: When Art, Sex, and Politics Collided

Chaplin's first European film, A King in New York (1957), suffered as he struggled with English union rules, highlighting his dependence on absolute creative autonomy. His final film, A Countess from Hong Kong (1967), was hampered by the casting of Marlon Brando, insisted upon by Universal. Brando proved mechanical and unsuited for the film's romantic rescue plot. Ultimately, Chaplin's half-brother, Sid, remained the indispensable cornerstone of his life, always ready to help or rescue him.
1936
  continue reading

51842 episodes

Artwork
iconShare
 
Manage episode 515652738 series 96788
Content provided by Audioboom and John Batchelor. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Audioboom and John Batchelor or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://podcastplayer.com/legal.
8. Later Films and the Importance of Sid

Scott Eyman
Charlie Chaplin versus America: When Art, Sex, and Politics Collided

Chaplin's first European film, A King in New York (1957), suffered as he struggled with English union rules, highlighting his dependence on absolute creative autonomy. His final film, A Countess from Hong Kong (1967), was hampered by the casting of Marlon Brando, insisted upon by Universal. Brando proved mechanical and unsuited for the film's romantic rescue plot. Ultimately, Chaplin's half-brother, Sid, remained the indispensable cornerstone of his life, always ready to help or rescue him.
1936
  continue reading

51842 episodes

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