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Henry Sambrooke Leigh's "The Twins"

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Manage episode 482254683 series 2446581
Content provided by Goldberry Studios. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Goldberry Studios or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://podcastplayer.com/legal.

Today’s poem is one of the few enduring works of a poet and playwright who burned brightly during his heyday and then blinked out almost entirely. Happy reading.

Leigh, son of James Mathews Leigh, was born in London on 29 March 1837. At an early age he engaged in literary pursuits. From time to time appeared collections of his lyrics, under the titles of Carols of Cockayne, 1869 (several editions); Gillott and Goosequill, 1871; A Town Garland: a Collection of Lyrics, 1878; and Strains from the Strand: Trifles in Verse, 1882. His verse was always fluent, but otherwise of very slender merit.

For the stage he translated many French comic operas. His first theatrical essay was in collaboration with Charles Millward in a musical spectacle for the Theatre Royal in Birmingham. His ‘Falsacappa,’ music by Offenbach, was produced at the Globe Theatre on 22 April 1871; ‘Le Roi Carotte’ at the Alhambra on 3 June 1872; ‘Bridge of Sighs,’ opera-bouffe, at the St. James's, 18 Nov. 1872; ‘White Cat,’ a fairy spectacle, at the Queen's, Long Acre, on 2 Dec. 1875; ‘Voyage dans la Lune,’ opera-bouffe, at the Alhambra, on 15 April 1876; ‘Fatinitza,’ opera-bouffe (the words were printed), adapted from the German, at the Alhambra on 20 June 1878; ‘The Great Casimir,’ a vaudeville, at the Gaiety, on 27 Sept. 1879; ‘Cinderella,’ an opera, with music by J. Farmer, at St. James's Hall, on 2 May 1884 (the words were published in 1882); ‘The Brigands,’ by H. Meilhac and L. Halévy, adapted to English words by Leigh, was printed in 1884. For ‘Lurette,’ a comic opera, Avenue, 24 March 1883, he wrote the lyrics; and with Robert Reece he produced ‘La Petite Mademoiselle,’ comic opera, Alhambra, on 6 October 1879. He edited ‘Jeux d'Esprit written and spoken by French and English Wits and Humorists,’ in 1877, and wrote Mark Twain's ‘Nightmares’ in 1878.

His last theatrical venture—a complete failure—was ‘The Prince Methusalem,’ a comic opera, brought out at the Folies Dramatiques (now the Kingsway), Great Queen Street, London, on 19 May 1883. He was a Spanish, Portuguese, and French scholar, a brilliant and witty conversationalist, and a humorous singer.

He died in his rooms in Lowther's private hotel, 35 Strand, London, on 16 June 1883, and was buried in Brompton cemetery on 22 June.

-bio via Wikipedia


This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit dailypoempod.substack.com/subscribe
  continue reading

1038 episodes

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Henry Sambrooke Leigh's "The Twins"

The Daily Poem

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Manage episode 482254683 series 2446581
Content provided by Goldberry Studios. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Goldberry Studios or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://podcastplayer.com/legal.

Today’s poem is one of the few enduring works of a poet and playwright who burned brightly during his heyday and then blinked out almost entirely. Happy reading.

Leigh, son of James Mathews Leigh, was born in London on 29 March 1837. At an early age he engaged in literary pursuits. From time to time appeared collections of his lyrics, under the titles of Carols of Cockayne, 1869 (several editions); Gillott and Goosequill, 1871; A Town Garland: a Collection of Lyrics, 1878; and Strains from the Strand: Trifles in Verse, 1882. His verse was always fluent, but otherwise of very slender merit.

For the stage he translated many French comic operas. His first theatrical essay was in collaboration with Charles Millward in a musical spectacle for the Theatre Royal in Birmingham. His ‘Falsacappa,’ music by Offenbach, was produced at the Globe Theatre on 22 April 1871; ‘Le Roi Carotte’ at the Alhambra on 3 June 1872; ‘Bridge of Sighs,’ opera-bouffe, at the St. James's, 18 Nov. 1872; ‘White Cat,’ a fairy spectacle, at the Queen's, Long Acre, on 2 Dec. 1875; ‘Voyage dans la Lune,’ opera-bouffe, at the Alhambra, on 15 April 1876; ‘Fatinitza,’ opera-bouffe (the words were printed), adapted from the German, at the Alhambra on 20 June 1878; ‘The Great Casimir,’ a vaudeville, at the Gaiety, on 27 Sept. 1879; ‘Cinderella,’ an opera, with music by J. Farmer, at St. James's Hall, on 2 May 1884 (the words were published in 1882); ‘The Brigands,’ by H. Meilhac and L. Halévy, adapted to English words by Leigh, was printed in 1884. For ‘Lurette,’ a comic opera, Avenue, 24 March 1883, he wrote the lyrics; and with Robert Reece he produced ‘La Petite Mademoiselle,’ comic opera, Alhambra, on 6 October 1879. He edited ‘Jeux d'Esprit written and spoken by French and English Wits and Humorists,’ in 1877, and wrote Mark Twain's ‘Nightmares’ in 1878.

His last theatrical venture—a complete failure—was ‘The Prince Methusalem,’ a comic opera, brought out at the Folies Dramatiques (now the Kingsway), Great Queen Street, London, on 19 May 1883. He was a Spanish, Portuguese, and French scholar, a brilliant and witty conversationalist, and a humorous singer.

He died in his rooms in Lowther's private hotel, 35 Strand, London, on 16 June 1883, and was buried in Brompton cemetery on 22 June.

-bio via Wikipedia


This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit dailypoempod.substack.com/subscribe
  continue reading

1038 episodes

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