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MIFF Interview: 'Art is labour' - Jung Jae-il on the job of composing for Parasite

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Manage episode 501055601 series 2383701
Content provided by Andrew F Peirce and The Curb. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Andrew F Peirce and The Curb or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://podcastplayer.com/legal.

'Art is labour'. This is a statement from composer Jung Jae-il, the man behind the iconic scores to Bong Joon-ho's Parasite, Okja, and Mickey 17, the Netflix smash hit Squid Game, and Hirokazu Kore-eda's Broker, amongst other works. For Jung Jae-il, the art of composing a score is work.

For Jung Jae-il, artists like Roxette, Metallica and Björk are notable influences on his work, with Pina Bausch's dancing leaving a lingering mark on his mind. It's these kinds of artists who influenced Jung Jae-il on his solo album, Listen, released in 2023.

For Jung Jae-il, there is a clear delineation between art for the self and art for a job, and it's with his work on Parasite that the distinction is felt, while his passion for his album Listen shows an artist in harmony with his craft.

These are just some of the things discussed in the above interview with Jung Jae-il, recorded ahead of his performance of the live score for Parasite at the 2025 Melbourne International Film Festival.

Jung Jae-il participates in a conversation with Caitlin Yeo on 23 August at MIFF, with the composer performing a live score for Parasite on 23 August over two sessions at MIFF. Tickets are available here.

Follow us on Instagram, Facebook, and Bluesky @thecurbau. We are a completely independent and ad free website that lives on the support of listeners and readers just like you. Visit Patreon.com/thecurbau, where you can support our work from as little as $1 a month. If you are unable to financially support us, then please consider sharing this interview with your podcast loving friends.

We’d also love it if you could rate and review us on the podcast player of your choice. Every review helps amplify the interviews and stories to a wider audience. New interviews drop every Thursday, with bonus chats appearing on Tuesdays.


Hosted on Acast. See acast.com/privacy for more information.

  continue reading

360 episodes

Artwork
iconShare
 
Manage episode 501055601 series 2383701
Content provided by Andrew F Peirce and The Curb. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Andrew F Peirce and The Curb or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://podcastplayer.com/legal.

'Art is labour'. This is a statement from composer Jung Jae-il, the man behind the iconic scores to Bong Joon-ho's Parasite, Okja, and Mickey 17, the Netflix smash hit Squid Game, and Hirokazu Kore-eda's Broker, amongst other works. For Jung Jae-il, the art of composing a score is work.

For Jung Jae-il, artists like Roxette, Metallica and Björk are notable influences on his work, with Pina Bausch's dancing leaving a lingering mark on his mind. It's these kinds of artists who influenced Jung Jae-il on his solo album, Listen, released in 2023.

For Jung Jae-il, there is a clear delineation between art for the self and art for a job, and it's with his work on Parasite that the distinction is felt, while his passion for his album Listen shows an artist in harmony with his craft.

These are just some of the things discussed in the above interview with Jung Jae-il, recorded ahead of his performance of the live score for Parasite at the 2025 Melbourne International Film Festival.

Jung Jae-il participates in a conversation with Caitlin Yeo on 23 August at MIFF, with the composer performing a live score for Parasite on 23 August over two sessions at MIFF. Tickets are available here.

Follow us on Instagram, Facebook, and Bluesky @thecurbau. We are a completely independent and ad free website that lives on the support of listeners and readers just like you. Visit Patreon.com/thecurbau, where you can support our work from as little as $1 a month. If you are unable to financially support us, then please consider sharing this interview with your podcast loving friends.

We’d also love it if you could rate and review us on the podcast player of your choice. Every review helps amplify the interviews and stories to a wider audience. New interviews drop every Thursday, with bonus chats appearing on Tuesdays.


Hosted on Acast. See acast.com/privacy for more information.

  continue reading

360 episodes

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