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From ZBrush to Linen: Georgia Dymock on Myth, Monsters and Making

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Manage episode 508872939 series 3009869
Content provided by David Bellingham. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by David Bellingham or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://podcastplayer.com/legal.

David interviews painter Georgia Dymock about her artistic journey since leaving Slade: solo shows, selection for New Contemporaries, representation by Gillian Jason, and winning the ACS x Gurr John Studio Prize. They discuss how the prize and gallery exposure are shaping her career.

Georgia explains her studio routine in Camden and her process of moving from digital sculpture (ZBrush, rendering) to oil on herringbone linen, exploring themes of connectedness, ambiguity, hybrid mythic figures and the balance between surface and psychological distance. She also reflects on influences, practical art‑business skills, and plans to expand her work.

Links: https://www.georgiadymock.com/

https://www.gillianjason.com/artists/97-georgia-dymock/

https://www.gurrjohns.com/

https://artistscollectingsociety.org/news/2025-acs-studio-prize-x-gurr-johns-exhibition/

music

‘Baby, I Miss The Internet’ (Rama, Rama, Rama)

by TOT TAYLOR

is used by kind permission of the artist

©Tot Taylor/Songmatic Music (2020)

  continue reading

72 episodes

Artwork
iconShare
 
Manage episode 508872939 series 3009869
Content provided by David Bellingham. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by David Bellingham or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://podcastplayer.com/legal.

David interviews painter Georgia Dymock about her artistic journey since leaving Slade: solo shows, selection for New Contemporaries, representation by Gillian Jason, and winning the ACS x Gurr John Studio Prize. They discuss how the prize and gallery exposure are shaping her career.

Georgia explains her studio routine in Camden and her process of moving from digital sculpture (ZBrush, rendering) to oil on herringbone linen, exploring themes of connectedness, ambiguity, hybrid mythic figures and the balance between surface and psychological distance. She also reflects on influences, practical art‑business skills, and plans to expand her work.

Links: https://www.georgiadymock.com/

https://www.gillianjason.com/artists/97-georgia-dymock/

https://www.gurrjohns.com/

https://artistscollectingsociety.org/news/2025-acs-studio-prize-x-gurr-johns-exhibition/

music

‘Baby, I Miss The Internet’ (Rama, Rama, Rama)

by TOT TAYLOR

is used by kind permission of the artist

©Tot Taylor/Songmatic Music (2020)

  continue reading

72 episodes

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