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Vincent Karamanov - talking hyperacusis, distortions, and classical music

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Manage episode 496492057 series 3350593
Content provided by Earmark Hearing Conservation. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Earmark Hearing Conservation or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://podcastplayer.com/legal.

Vincent Karamanov is a freelance bassoonist playing with such prestigious ensembles as the Chicago Symphony Orchestra, Lyric Opera, and Joffrey Ballet. In this episode, Vincent reflects on how the onset of dysacusis (auditory distortions) and hyperacusis (decreased sound tolerance) forced him to make significant life changes in his employment, outlook, and relationships. The conversation follows the rollercoaster of his last several years, and brings us full circle in a story which somehow repaints Shostakovich's epic symphonic depiction of war as a message of a peace and recovery.

Music heard in this episode features Vincent Karamanov (sometimes credited as Vince Halley) on bassoon, bass, guitar, and voice. You can hear more of the music featured through the following links:

Ryan Martinez's album "Ensemble"

Murder City Players

The Sallys album "Dog Days Demos"

Vince and The Sallys cover of Green Days "Nice Guys Finish Last"

The recording of Shostakovich: Symphony No. 11 (‘1905’) is from the public domain archive 1958 recording of the Houston Symphony Orchestra conducted by Leopold Stokowski [Seraphim (S-60228)]

In this episode, we discuss mental health and significant distress from audiologic conditions. If you are in crisis, please call, text or chat with the Suicide and Crisis Lifeline at 988, or contact the Crisis Text Line by texting TALK to 741741.

  continue reading

48 episodes

Artwork
iconShare
 
Manage episode 496492057 series 3350593
Content provided by Earmark Hearing Conservation. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Earmark Hearing Conservation or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://podcastplayer.com/legal.

Vincent Karamanov is a freelance bassoonist playing with such prestigious ensembles as the Chicago Symphony Orchestra, Lyric Opera, and Joffrey Ballet. In this episode, Vincent reflects on how the onset of dysacusis (auditory distortions) and hyperacusis (decreased sound tolerance) forced him to make significant life changes in his employment, outlook, and relationships. The conversation follows the rollercoaster of his last several years, and brings us full circle in a story which somehow repaints Shostakovich's epic symphonic depiction of war as a message of a peace and recovery.

Music heard in this episode features Vincent Karamanov (sometimes credited as Vince Halley) on bassoon, bass, guitar, and voice. You can hear more of the music featured through the following links:

Ryan Martinez's album "Ensemble"

Murder City Players

The Sallys album "Dog Days Demos"

Vince and The Sallys cover of Green Days "Nice Guys Finish Last"

The recording of Shostakovich: Symphony No. 11 (‘1905’) is from the public domain archive 1958 recording of the Houston Symphony Orchestra conducted by Leopold Stokowski [Seraphim (S-60228)]

In this episode, we discuss mental health and significant distress from audiologic conditions. If you are in crisis, please call, text or chat with the Suicide and Crisis Lifeline at 988, or contact the Crisis Text Line by texting TALK to 741741.

  continue reading

48 episodes

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