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Canadian songwriter Eddie Schwartz on stepping back into the spotlight with new album 'Film School'

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Manage episode 514445842 series 3638312
Content provided by SWOMP. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by SWOMP or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://podcastplayer.com/legal.

Canadian songwriter, producer and performer Eddie Schwartz — best known for penning Pat Benatar’s 1980 hit 'Hit Me With Your Best Shot' — is stepping out from behind the scenes with his own full-length studio release Film School, arriving November 12, 2025.

SWOMP caught up with Schwartz to discuss the project and his career.

Schwartz, whose songs have been recorded by artists including Carly Simon, Joe Cocker, America, Donna Summer and Rascal Flatts, says the project marks both a creative renewal and a personal reckoning.

“It’s a difficult time right now and I freely admit to struggling with how to cope with the daily insanity,” Schwartz said of the current climate that inspired his new material. “The moment of writing ‘We Win’ was profound for me because I found a way to a more hopeful place that helped with anger, sadness and bewilderment at how we got here.”

After years of burnout from Nashville’s rigorous co-writing culture, Schwartz said writing We Win broke a long creative drought. “The blank page stayed blank for a long time,” he said. “My struggle to process the world at this moment in time and muster some resolve was what propelled me back in the writing mindset.”

The track features slide guitar by Roger Moutenot and backing vocals by country music legend Robert Ellis Orrall. Critics have praised its optimism and emotional depth, with Cashbox calling it “one of those songs that makes me remember why I got into the music industry in the first place.”

Film School features six songs that Schwartz describes as “short stories or films” connected by themes of perseverance and humanity. From the introspective Outbound Train to the reflective Special Girl and the waltzing You Don’t Belong, the album blends craftsmanship and storytelling in the tradition of his earlier work.

“For me, the people in the songs face challenges and find ways to deal with those challenges and move forward with their lives,” he said. “I hadn’t written a song in quite a few years before Film School, so I had to relearn how to do it – I was back in school in a way.”

A Member of the Order of Canada and the Canadian Songwriters Hall of Fame, Schwartz has also been a tireless advocate for creators’ rights, serving as president of the International Council of Music Creators from 2017 to 2023.

“For the vast majority of individual artists and songwriters, the business is much, much harder than it was in the day of vinyl, CDs and even downloads,” he said. “Millions and millions of streams do not support a career, and that’s tragic.”

With Film School, Schwartz finds new footing as both storyteller and survivor — a veteran artist proving that, even decades after writing one of rock’s most enduring anthems, he still has plenty left to say.

Film School will be released independently on CD November 12, 2025.

Follow Eddie at https://www.eddieschwartzmusic.com/.

  continue reading

94 episodes

Artwork
iconShare
 
Manage episode 514445842 series 3638312
Content provided by SWOMP. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by SWOMP or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://podcastplayer.com/legal.

Canadian songwriter, producer and performer Eddie Schwartz — best known for penning Pat Benatar’s 1980 hit 'Hit Me With Your Best Shot' — is stepping out from behind the scenes with his own full-length studio release Film School, arriving November 12, 2025.

SWOMP caught up with Schwartz to discuss the project and his career.

Schwartz, whose songs have been recorded by artists including Carly Simon, Joe Cocker, America, Donna Summer and Rascal Flatts, says the project marks both a creative renewal and a personal reckoning.

“It’s a difficult time right now and I freely admit to struggling with how to cope with the daily insanity,” Schwartz said of the current climate that inspired his new material. “The moment of writing ‘We Win’ was profound for me because I found a way to a more hopeful place that helped with anger, sadness and bewilderment at how we got here.”

After years of burnout from Nashville’s rigorous co-writing culture, Schwartz said writing We Win broke a long creative drought. “The blank page stayed blank for a long time,” he said. “My struggle to process the world at this moment in time and muster some resolve was what propelled me back in the writing mindset.”

The track features slide guitar by Roger Moutenot and backing vocals by country music legend Robert Ellis Orrall. Critics have praised its optimism and emotional depth, with Cashbox calling it “one of those songs that makes me remember why I got into the music industry in the first place.”

Film School features six songs that Schwartz describes as “short stories or films” connected by themes of perseverance and humanity. From the introspective Outbound Train to the reflective Special Girl and the waltzing You Don’t Belong, the album blends craftsmanship and storytelling in the tradition of his earlier work.

“For me, the people in the songs face challenges and find ways to deal with those challenges and move forward with their lives,” he said. “I hadn’t written a song in quite a few years before Film School, so I had to relearn how to do it – I was back in school in a way.”

A Member of the Order of Canada and the Canadian Songwriters Hall of Fame, Schwartz has also been a tireless advocate for creators’ rights, serving as president of the International Council of Music Creators from 2017 to 2023.

“For the vast majority of individual artists and songwriters, the business is much, much harder than it was in the day of vinyl, CDs and even downloads,” he said. “Millions and millions of streams do not support a career, and that’s tragic.”

With Film School, Schwartz finds new footing as both storyteller and survivor — a veteran artist proving that, even decades after writing one of rock’s most enduring anthems, he still has plenty left to say.

Film School will be released independently on CD November 12, 2025.

Follow Eddie at https://www.eddieschwartzmusic.com/.

  continue reading

94 episodes

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