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Content provided by Wes Alwan and Erin O'Luanaigh, Wes Alwan, and Erin O'Luanaigh. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Wes Alwan and Erin O'Luanaigh, Wes Alwan, and Erin O'Luanaigh or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://podcastplayer.com/legal.
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Erin’s New Book “Avail”

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Manage episode 521999451 series 2774930
Content provided by Wes Alwan and Erin O'Luanaigh, Wes Alwan, and Erin O'Luanaigh. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Wes Alwan and Erin O'Luanaigh, Wes Alwan, and Erin O'Luanaigh or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://podcastplayer.com/legal.

Erin just published her first book, “Avail,” which you can order here: https://www.pauldrybooks.com/products/avail

“Avail” features a long prose-poem which titles the book and winds through sections of lineated, often formal poems. The prose-poem comprises a series of lyric meditations on the image of the veil—from religious and cultural veils, to veils imbedded in idiom and metaphor, to veiled women in art and classic films, to veils drawn and parted by illness and death—which slowly divulge the harrowing details of the poet’s blood disorder.

Throughout, allusions to classic film, literature, and art serve as the “veils” with which the poet attempts to obscure the self-estrangement and vulnerability her illness has induced—insecurities which follow her long after her recovery. In a poem about a break-up set during her career as a jazz singer and against the backdrop of a 1930s screwball comedy, she longs “to shake life by the martini (but stay self- / possessed), to star in the movie of myself / instead of playing second lead.” During a visit to Naples, Mt. Vesuvius becomes “a Crawford eyebrow / arched over the bay.” And in California, after a trip to the Getty Villa, she recalls Sontag’s “missive on allusion, that no part / of any work is new, that all is reproduction.” By the end of the collection, O’Luanaigh has fashioned from the sum of these various allusions her own poetic identity, unveiled in the poems themselves.

Upcoming Episodes: “The Third Man,” “Elf,” “Julius Caesar.”

Pre-order Erin’s forthcoming book “Avail” here: http://subtextpodcast.com/avail

For bonus content, become a paid subscriber at Patreon or directly on the Apple Podcasts app. Patreon subscribers also get early access to ad-free regular episodes.

This podcast is part of the Airwave Media podcast network. Visit AirwaveMedia.com to listen and subscribe to other Airwave shows like Good Job, Brain and Big Picture Science.

Email [email protected] to enquire about advertising on the podcast.

Follow: Twitter | Facebook | Website

  continue reading

151 episodes

Artwork
iconShare
 
Manage episode 521999451 series 2774930
Content provided by Wes Alwan and Erin O'Luanaigh, Wes Alwan, and Erin O'Luanaigh. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Wes Alwan and Erin O'Luanaigh, Wes Alwan, and Erin O'Luanaigh or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://podcastplayer.com/legal.

Erin just published her first book, “Avail,” which you can order here: https://www.pauldrybooks.com/products/avail

“Avail” features a long prose-poem which titles the book and winds through sections of lineated, often formal poems. The prose-poem comprises a series of lyric meditations on the image of the veil—from religious and cultural veils, to veils imbedded in idiom and metaphor, to veiled women in art and classic films, to veils drawn and parted by illness and death—which slowly divulge the harrowing details of the poet’s blood disorder.

Throughout, allusions to classic film, literature, and art serve as the “veils” with which the poet attempts to obscure the self-estrangement and vulnerability her illness has induced—insecurities which follow her long after her recovery. In a poem about a break-up set during her career as a jazz singer and against the backdrop of a 1930s screwball comedy, she longs “to shake life by the martini (but stay self- / possessed), to star in the movie of myself / instead of playing second lead.” During a visit to Naples, Mt. Vesuvius becomes “a Crawford eyebrow / arched over the bay.” And in California, after a trip to the Getty Villa, she recalls Sontag’s “missive on allusion, that no part / of any work is new, that all is reproduction.” By the end of the collection, O’Luanaigh has fashioned from the sum of these various allusions her own poetic identity, unveiled in the poems themselves.

Upcoming Episodes: “The Third Man,” “Elf,” “Julius Caesar.”

Pre-order Erin’s forthcoming book “Avail” here: http://subtextpodcast.com/avail

For bonus content, become a paid subscriber at Patreon or directly on the Apple Podcasts app. Patreon subscribers also get early access to ad-free regular episodes.

This podcast is part of the Airwave Media podcast network. Visit AirwaveMedia.com to listen and subscribe to other Airwave shows like Good Job, Brain and Big Picture Science.

Email [email protected] to enquire about advertising on the podcast.

Follow: Twitter | Facebook | Website

  continue reading

151 episodes

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