For over two decades, Jason Schneider has built a versatile career that bridges both scripted and documentary storytelling. His editorial fingerprints are evident in works screened at prestigious festivals, including TIFF, VIFF, Hot Docs, DOXA, and the Venice Film Festival. That breadth of exposure speaks to both his ambition and the trust placed in him by filmmakers working across genres. Most recently, he served as the finishing editor on the highly rated series Deadman’s Curse Season 3, currently airing on the Discovery Channel.

What stands out about Jason's approach is the way he marries technical precision with musical sensibility. A multi-instrumentalist, he writes and records music in his spare time, and this passion is far from a mere hobby. It’s deeply interwoven with his editorial identity. Jason is especially sought after for his understanding of timing, music, and sound design, bringing to each project a heightened sensitivity to how image, sound, and silence converse.

In this exclusive interview with Jason, we discussed his work on Deadman’s Curse Season 3 and how he used APM music to sculpt the scenes. Listen Now.