In the Bible, the Four Horsemen of the Apocalypse rode Red, Green, White, and Black HORSES — the EXACT same colors seen on Middle East Pan-Arab flags and Khazar symbols. A Coincidence?

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"Political language is designed to make lies sound truthful and murder respectable, and to give an appearance of solidity to pure wind." — George Orwell

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Pan-Arab Colors, Symbolism, Khazars, and the Four Horsemen Introduction

This report explores the intersection of history, symbolism, and geopolitics — from the Pan-Arab flag colors and the Sykes–Picot partition to the idea of war as a ritual used to bury history. It also examines the Khazar legacy, the Pentagon’s symbolic shape, and the persistent conflicts in the Middle East.

The Pan-Arab Flag Template

Origin: The black–white–green–red combination first appeared in the Flag of the Arab Revolt (1916), designed by Sir Mark Sykes (UK) to rally Arabs against the Ottoman Empire during World War I.

Design: Horizontal black–green–white stripes with a red triangle at the hoist.

Purpose: Symbolized Arab unity and independence but kept the revolt under Allied guidance.

Legacy: After WWI, Britain and France repurposed the color scheme for the new states they carved out:

Jordan (Transjordan, British protectorate)
Iraq (British mandate)
Palestinian nationalist groups
Later: Syria, Kuwait, UAE, Sudan, Western Sahara

The four colors became a shared visual code for Arab nationalism.

The Star and Crescent: Ancient Symbol, Modern Use

Pre-Islamic Origins:

Mesopotamian & Anatolian use of the crescent for the moon god Sin
Byzantine use of the crescent as a protective emblem
Ottoman adoption after 1453, pairing it with a star

Modern Symbolism: The star and crescent became shorthand for Islam and appear on many flags that also use the Pan-Arab colors.

Sykes–Picot and the Carve-Up of the Middle East

Goal: Divide Ottoman lands into French and British zones of influence. Result:

Iraq → British mandate, Hashemite monarchy
Transjordan → British protectorate
Syria & Lebanon → French mandates
Palestine → British mandate, leading to partition and conflict

Borders were drawn for imperial convenience, and the colors helped brand these states as “Arab” while keeping them manageable.

Wars in the Pan-Arab Flag Zone

These countries have seen nearly constant intervention:

Iraq: 1920 revolt, 1941 coup, Gulf War 1991, US-UK invasion 2003
Syria: French crackdowns, coups, civil war 2011–present
Palestine/Israel: Continuous conflict since 1948
Kuwait: 1990 Iraqi invasion, Operation Desert Storm
Sudan: Civil wars, Darfur genocide, 2011 secession

The Pentagon and the Pentagram

Geometric Connection: A pentagram always contains a pentagon at its center. The Pentagon building is the “heart” of such a star if one is drawn around it.

Symbolism of the Pentagram: Historically seen as a symbol of balance, harmony, or protection — but when inverted, used in occult ritual to symbolize chaos or dark forces.

The Pentagon as Symbol: Built in WWII as a five-sided fortress, it has been interpreted as a symbolic center of global war power.

Department of War vs. Department of Defense

Historically, the U.S. had a Department of War until 1947, when it became the Department of Defense to project a defensive image. If the name is shifting back to Department of War, it signals open acknowledgment of permanent conflict.

The Trump Connection: Trump promised peace and signed the Abraham Accords, yet U.S. troops remained in the Middle East and military budgets grew. Such a renaming could mark the formalization of endless war rather than its conclusion.

Why the Coincidence Feels Intentional

Same colors, designed in 1916 to unify Arabs under Allied direction
Same geography: the Sykes–Picot zone
Same century of wars: colonial suppression, coups, Cold War proxy battles, modern interventions

The flags seem to mark the very areas where wars never stop — almost like targets on a map.

Khazars, Symbolism, and the Revenge Narrative

Legacy: The Khazar Khaganate (7th–10th c.) controlled trade routes between the Black and Caspian Seas. Some theories suggest their descendants sought influence in Europe and the Middle East.

Color Symbolism: Red, green, white, black — colors found in steppe banners and later Pan-Arab flags.

Interpreting the Pattern: The adoption of these colors could be read as branding the battlefield, keeping alive a centuries-old contest between Turkic/Khazar memory and the Arab world.

Flags as Targets: If viewed symbolically, the flags are bullseyes — marking which lands are to remain in conflict.

War as Historical Erasure

War destroys archives, scatters populations, and rewrites history:

Mesopotamia’s libraries and ziggurats looted or bombed
Babylon damaged during military occupation
Palmyra’s ruins destroyed during Syria’s war
Nubian sites endangered in Sudan’s conflicts

Perpetual instability prevents excavation and research, ensuring some histories remain hidden.

The Specificity of the Target Zone

The Pan-Arab color belt contains humanity’s oldest centers:

Mesopotamia (Baghdad, Babylon, Nineveh)
Levant (Jerusalem, Jericho, Ugarit)
Arabia and Sinai (Nabataean, pre-Islamic culture)
Sudan/Nubia (Kushite pyramids)
Western Sahara (prehistoric rock art)

It is as if this strip of land is under a “perpetual state of excavation by war.”

The Four Horsemen and Color Parallels

The Book of Revelation lists:

White Horse: conquest
Red Horse: war
Black Horse: famine/economic collapse
Pale (green) Horse: death and pestilence

These align uncannily with the Pan-Arab flag colors — red, black, white, and green — as if the flags themselves forecast endless cycles of conquest, war, famine, and death.

Gypsies and Horses

Romani (Gypsies) historically:

Were expert horse traders, breeders, and handlers
Traveled in horse-drawn caravans (vardos)
Valued horses as wealth and cultural pride
Remain associated with horse fairs (e.g. Appleby Horse Fair)

The symbolism of horses ties into the Four Horsemen — freedom, movement, and also judgment.

Conclusion

When all the elements are placed together — the Pan-Arab colors, the Sykes–Picot borders, the Khazar connection, the Pentagon’s shape, the Department of War language, the Four Horsemen symbolism — a consistent picture emerges.

It suggests that this region has been deliberately marked, destabilized, and kept in conflict for over a century, possibly to suppress or control its deep history. Whether seen as geopolitics, ritual, or mythic reenactment, the pattern is too specific to dismiss as coincidence.

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