We did it, comedy fans. We withstood another year of craziness, hundreds upon hundreds of comedy specials, and have gotten my friend and colleague in comedy criticism, Jason Zinoman from The New York Times, to join me for another December to Remember and try to make sense of it all. 2024, a year that started with a fake AI George Carlin and a captivating Katt Williams performance on Club Shay Shay, that saw the relaunch of @Midnight as After Midnight on CBS, that saw Just For Laughs go bankrupt and cancel their Montreal bash only to promise a revival in 2025, that saw the major presidential candidates sit down with so many comedians for election-season podcasts, can we make sense of all of that? It was a year when Netflix went live in a big way, but were their specials funnier than the hundreds of offerings on YouTube, and can upstarts at Hulu, Veeps and Dropout provide some much-needed competition? What does it say about comedy that a comedy D&D show, Dropout’s Dimension 20, as well as a glorified Gong Show in Tony Hinchcliffe’s Kill Tony, both sold out Madison Square Garden? And who were our Comedy MVPs for 2024? It was obviously a big year for Nikki Glaser, who will host the Golden Globes to kick off 2025, and another banner year for Nate Bargatze. It was also a breakout year for Cole Escola and Alex Edelman, each of whom won over Broadway. Josh Johnson and Conner O’Malley won the internet, or showed us how to defeat the algorithms. Whom else did we give shoutouts to? What made us worry about comedy trends? There’s a lot to get to, so let’s get to it!