Feature: How A24 Became The Major Movie Studio For Indie Filmmakers FilmWeek podcast

Content provided by KPCC 89.3 | Southern California Public Radio and LAist 89.3 | Southern California Public Radio. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by KPCC 89.3 | Southern California Public Radio and LAist 89.3 | Southern California Public Radio or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://podcastplayer.com/legal.

FilmWeek »
Feature: How A24 became the major movie studio for indie filmmakers

5d ago 19:30

MP3•Episode home

A24 has solidified itself as the "indie darling" of film studios, gaining a sizable cohort of devotees (many of them young) who rep the studio's merch like fans of a rock band. Started in 2012, A24 made a name itself by releasing smaller art-house and art-house adjacent films in a time when the mid-size movie was quickly being shuffled from theaters to streaming. Some of the studio's early successes include Harmony Korine's Spring Breakers, Barry Jenkins' Moonlight, and Robert Eggers’ The Witch. The latter being a prime example of A24's unique business model: mid-budget movie gets a mid-size release with some edgy, digital-first marketing to turn a mid-size profit. But, as A24 has grown, so has its movies' budgets. We probably won't see an A24 Superman anytime soon, but the studio’s more recent in-house productions and festival acquisitions show a trend away from the indie films that helped set it apart. Today on FilmWeek, Larry speaks with culture editor for the New Yorker, Alex Barasch, about the rise and evolution of A24.

Visit www.preppi.com/LAist to receive a FREE Preppi Emergency Kit (with any purchase over $100) and be prepared for the next wildfire, earthquake or emergency!

492 episodes

#Entertainment #KPCC 89.3 | Southern California Public Radio #Cinema #Film Critics