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Luke Millar: Wētā FX Visual Effects Supervisor on working on Better Man
Manage episode 495235102 series 2098284
Content provided by NZME and Newstalk ZB. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by NZME and Newstalk ZB or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://player.fm/legal.
Who else could pull off the animal transformation of one of the world’s biggest rockstars but Wētā FX?
Wētā is well known for its visual effects mastery, and so when Robbie Williams said “make me an ape!”, it’s only natural that they were the ones for the job.
The man responsible for Williams’ simian visage in Better Man was Visual Effects Supervisor Luke Millar, who was nominated for an Oscar for his work.
A visual effects supervisor is responsible for coordinating all the different elements that comprise the visual effects of a production – most of which is invisible in many movies.
He told Jack Tame it’s about balance – everyone always wants more for less, and so being creative and efficient is the name of the game.
When it comes to Better Man, Millar got involved after working on the pre-visualisation work for the musical sequences before shooting began.
“After seeing a couple of those sequences, I read the script, and that was me,” he said.
“I was all in at that point to, to want to take on the challenge.”
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3054 episodes
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Manage episode 495235102 series 2098284
Content provided by NZME and Newstalk ZB. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by NZME and Newstalk ZB or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://player.fm/legal.
Who else could pull off the animal transformation of one of the world’s biggest rockstars but Wētā FX?
Wētā is well known for its visual effects mastery, and so when Robbie Williams said “make me an ape!”, it’s only natural that they were the ones for the job.
The man responsible for Williams’ simian visage in Better Man was Visual Effects Supervisor Luke Millar, who was nominated for an Oscar for his work.
A visual effects supervisor is responsible for coordinating all the different elements that comprise the visual effects of a production – most of which is invisible in many movies.
He told Jack Tame it’s about balance – everyone always wants more for less, and so being creative and efficient is the name of the game.
When it comes to Better Man, Millar got involved after working on the pre-visualisation work for the musical sequences before shooting began.
“After seeing a couple of those sequences, I read the script, and that was me,” he said.
“I was all in at that point to, to want to take on the challenge.”
LISTEN ABOVE
See omnystudio.com/listener for privacy information.
3054 episodes
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Similar to Saturday Morning with Jack Tame
Weekly wrap of events of the week peppered with context, commentary and opinion by a superstar panel. Click here to support Newslaundry: http://bit.ly/paytokeepnewsfree Hosted on Acast. See acast.com/privacy for more information.
…
continue reading
In the 1980s, there were only 63 Black films by, for, or about Black Americans. But in the 1990s, that number quadrupled, with 220 Black films making their way to cinema screens nationwide. What sparked this “Black New Wave?” Who blazed this path for contemporaries like Ava DuVernay, Kasi Lemmons and Jordan Peele? And how did these films transform American culture as a whole? Presenting The Class of 1989, a new limited-run series from pop culture critics Len Webb and Vincent Williams, hosts ...
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…
continue reading
Attorneys Colin Miller and Rabia Chaudry investigate and report on wrongful conviction cases in an effort to exonerate innocent incarcerated defendants.
…
continue reading
Lyn and Chris Dawson appear to have the perfect marriage. He's a star footballer and popular high school teacher. She's a devoted wife and mother. They share a beautiful home above Sydney's northern beaches. But when Lyn goes missing, dark secrets are buried. This is no fairytale, but a sordid story of strangely close twin brothers, teenage student lovers, and probable murder. The Australian's Hedley Thomas digs deep into a cold case which has been unsolved for 36 years, uncovering startling ...
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continue reading
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…
continue reading
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…
continue reading
Podcast by Chapo Trap House
…
continue reading
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Go offline with the Player FM app!
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