Barry first found music when he borrowed his sister's record collection when he was about eight and was hooked. When Caroline started it was a new beginning, and he listened to all the stations, but Caroline was his favourite by far. Later he became a singer in a band, then started doing discos when he was 18. He joined Caroline in 1977, touring the country with the Caroline Roadshow for 10 years, having great fun. Barry helped with tender trips and worked on the Ross Revenge in '84 and '85. ...
…
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Bruce Hornsby
Manage episode 403370376 series 2516453
Content provided by Matt Royal. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Matt Royal or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://podcastplayer.com/legal.
This Friday, March 1st Bruce Hornsby releases a new album in collaboration with chamber ensemble yMusic. The record is entitled “Deep Sea Vents”. It straddles the line between contemporary songwriting and modern classical, and the album has an aquatic theme with all the songs dealing with the ocean, or at least water in some way. The album is emblematic of much of Hornsby’s career in that it veers from the strange to the beautiful to the funny to the challenging. He doesn’t like the easy route.
If you know anything about Bruce’s career you’ll know his mid-80s smash “The Way It Is”, released by Bruce Hornsby and the Range, a powerful piece of social commentary inspired by his life growing up in Virginia, and featuring two piano solos. It’s a song that’s hung around, being sampled by rappers like 2Pac and Polo G. Bruce seems to have a conflicted relationship with the song. He often stills play it live but in a re-worked way, and he seems keen to be seen as a forward-thinking artist, not wishing to be defined by the past.
He was a live member of the Grateful Dead in the early 90s playing over a hundred shows with them. In recent years, he’s collaborated often with Justin Vernon of Bon Iver, and you’ll see like the likes of Vampire Weekend’s Ezra Koenig or The Staves or Blake Mills pop up on his album credits.
I was a big admirer of his 2019 album “Absolutely Zero” which is well worth your time. Bruce was fantastic company when we spoke, and I hope you enjoy our chat!
X: @signalspodcast
Instagram: @sendingsignalspodcast
88 episodes
Share
Manage episode 403370376 series 2516453
Content provided by Matt Royal. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Matt Royal or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://podcastplayer.com/legal.
This Friday, March 1st Bruce Hornsby releases a new album in collaboration with chamber ensemble yMusic. The record is entitled “Deep Sea Vents”. It straddles the line between contemporary songwriting and modern classical, and the album has an aquatic theme with all the songs dealing with the ocean, or at least water in some way. The album is emblematic of much of Hornsby’s career in that it veers from the strange to the beautiful to the funny to the challenging. He doesn’t like the easy route.
If you know anything about Bruce’s career you’ll know his mid-80s smash “The Way It Is”, released by Bruce Hornsby and the Range, a powerful piece of social commentary inspired by his life growing up in Virginia, and featuring two piano solos. It’s a song that’s hung around, being sampled by rappers like 2Pac and Polo G. Bruce seems to have a conflicted relationship with the song. He often stills play it live but in a re-worked way, and he seems keen to be seen as a forward-thinking artist, not wishing to be defined by the past.
He was a live member of the Grateful Dead in the early 90s playing over a hundred shows with them. In recent years, he’s collaborated often with Justin Vernon of Bon Iver, and you’ll see like the likes of Vampire Weekend’s Ezra Koenig or The Staves or Blake Mills pop up on his album credits.
I was a big admirer of his 2019 album “Absolutely Zero” which is well worth your time. Bruce was fantastic company when we spoke, and I hope you enjoy our chat!
X: @signalspodcast
Instagram: @sendingsignalspodcast
88 episodes
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Similar to Sending Signals
Barry first found music when he borrowed his sister's record collection when he was about eight and was hooked. When Caroline started it was a new beginning, and he listened to all the stations, but Caroline was his favourite by far. Later he became a singer in a band, then started doing discos when he was 18. He joined Caroline in 1977, touring the country with the Caroline Roadshow for 10 years, having great fun. Barry helped with tender trips and worked on the Ross Revenge in '84 and '85. ...
…
continue reading
Soul and Jazz (www.soulandjazz.com) launched its unique, legal and commercial free podcasting service on the 18th May, 2009, and features music across the spectrum of soul and jazz from the last 50 years.
…
continue reading
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…
continue reading
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…
continue reading
Rock and Roll
…
continue reading
Your favourite rock & metal podcast bringing you all the latest news, opinions, honest reviews and laughs every Friday. 100% passion, 100% honesty, 100% of the time. Join us. @notmetalpod on Twitter & Instagram. Come join the discussion with a likeminded community of music fans on the That's Not Metal Facebook Focus Group www.facebook.com/groups/TNMFocus/.
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continue reading
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continue reading
Join jazz aficionado Don Shor as he explores the diverse and fascinating world of jazz. Jazz After Dark spans the gamut, from roots in boogie-woogie, blues, and ragtime through traditional and straight-ahead jazz, soul jazz, bossa nova, and more.
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…
continue reading
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continue reading
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