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Phyllida Barlow in conversation with art critic Gilda Williams

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Manage episode 232030251 series 1161193
Content provided by Royal Academy of Arts. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Royal Academy of Arts or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://podcastplayer.com/legal.
Catch up on this event with renowned artist Phyllida Barlow CBE RA discussing her practice, career and current exhibition at the RA with contemporary art critic, Gilda Williams. For more than 50 years, Phyllida Barlow has taken inspiration from her surroundings to create imposing installations. She creates anti-monumental sculptures from inexpensive, low-grade materials such as cardboard, fabric, plywood, polystyrene, scrim and cement. The seams of their construction are left at times visible, revealing the means of their making. The audience is challenged into a new relationship with the sculptural object, the gallery environment and the world beyond.
  continue reading

239 episodes

Artwork
iconShare
 
Manage episode 232030251 series 1161193
Content provided by Royal Academy of Arts. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Royal Academy of Arts or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://podcastplayer.com/legal.
Catch up on this event with renowned artist Phyllida Barlow CBE RA discussing her practice, career and current exhibition at the RA with contemporary art critic, Gilda Williams. For more than 50 years, Phyllida Barlow has taken inspiration from her surroundings to create imposing installations. She creates anti-monumental sculptures from inexpensive, low-grade materials such as cardboard, fabric, plywood, polystyrene, scrim and cement. The seams of their construction are left at times visible, revealing the means of their making. The audience is challenged into a new relationship with the sculptural object, the gallery environment and the world beyond.
  continue reading

239 episodes

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