In the 1980s, there were only 63 Black films by, for, or about Black Americans. But in the 1990s, that number quadrupled, with 220 Black films making their way to cinema screens nationwide. What sparked this “Black New Wave?” Who blazed this path for contemporaries like Ava DuVernay, Kasi Lemmons and Jordan Peele? And how did these films transform American culture as a whole? Presenting The Class of 1989, a new limited-run series from pop culture critics Len Webb and Vincent Williams, hosts ...
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Yair Elazar Glotman (Reptile)
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Manage episode 378403663 series 2916171
Content provided by Clint Worthington. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Clint Worthington or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://podcastplayer.com/legal.
This week, we speak to composer Yair Elazar Glotman about his score for the latest prestige thriller from Netflix, Reptile, a stylish neo-noir starring Benicio Del Toro as a mercurial detective looking into the murder of a real estate agent. Everyone's a suspect, from the victim's boyfriend (Justin Timberlake) to the creepy guy down the street (played by Michael Pitt), even to some of Del Toro's fellow officers (incluidng Ato Essandoh, Domenick Lombardozzi and Eric Bogosian). It's the directorial debut of music video director Grant Singer, who fills each corner of the frame with cold, calculating and precise compositions, painting an isolated, alien world of hidden motivations and untold terrors hiding within the mundane. Singer's work in Reptile closely mirrors the work of David Fincher, and it's an intriguing experience to behold -- not least because of Glotman's dissonant, visceral, textural score. Building eerie combinations of altered string compositions and textured syths, Glotman's work fills in the empty spaces left by Reptile's sparse, opaque script, echoing through the vast voids of understanding the central mystery leaves its viewers. Now, I'm pleased to have Glotman on the podcast to talk about how he got started in music and composing, his work with Singer on Reptile, and his fascination with pulling apart the sound of things to see what he can find. You can find Yair Elazar Glotman at his official website here. Reptile is currently streaming on Netflix. You can also listen to the score on your preferred music streaming service courtesy of Netflix Music.
…
continue reading
100 episodes
MP3•Episode home
Manage episode 378403663 series 2916171
Content provided by Clint Worthington. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Clint Worthington or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://podcastplayer.com/legal.
This week, we speak to composer Yair Elazar Glotman about his score for the latest prestige thriller from Netflix, Reptile, a stylish neo-noir starring Benicio Del Toro as a mercurial detective looking into the murder of a real estate agent. Everyone's a suspect, from the victim's boyfriend (Justin Timberlake) to the creepy guy down the street (played by Michael Pitt), even to some of Del Toro's fellow officers (incluidng Ato Essandoh, Domenick Lombardozzi and Eric Bogosian). It's the directorial debut of music video director Grant Singer, who fills each corner of the frame with cold, calculating and precise compositions, painting an isolated, alien world of hidden motivations and untold terrors hiding within the mundane. Singer's work in Reptile closely mirrors the work of David Fincher, and it's an intriguing experience to behold -- not least because of Glotman's dissonant, visceral, textural score. Building eerie combinations of altered string compositions and textured syths, Glotman's work fills in the empty spaces left by Reptile's sparse, opaque script, echoing through the vast voids of understanding the central mystery leaves its viewers. Now, I'm pleased to have Glotman on the podcast to talk about how he got started in music and composing, his work with Singer on Reptile, and his fascination with pulling apart the sound of things to see what he can find. You can find Yair Elazar Glotman at his official website here. Reptile is currently streaming on Netflix. You can also listen to the score on your preferred music streaming service courtesy of Netflix Music.
…
continue reading
100 episodes
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