In the 1980s, there were only 63 Black films by, for, or about Black Americans. But in the 1990s, that number quadrupled, with 220 Black films making their way to cinema screens nationwide. What sparked this “Black New Wave?” Who blazed this path for contemporaries like Ava DuVernay, Kasi Lemmons and Jordan Peele? And how did these films transform American culture as a whole? Presenting The Class of 1989, a new limited-run series from pop culture critics Len Webb and Vincent Williams, hosts ...
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Stephanie Economou (Assassin's Creed Valhalla: Dawn of Ragnarok)
MP3•Episode home
Manage episode 356254584 series 2916171
Content provided by Clint Worthington. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Clint Worthington or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://podcastplayer.com/legal.
Earlier this month, the 2022 Grammys ran its first-ever category for Best Score Soundtrack for Video Games and Other Interactive Media -- a long-overdue recognition of the value of video game scores as a legitimate method of expression, and a source of some incredible music. And among an initial crop of stellar composers offering intriguing sounds to all manner of video games big and small, it was a DLC, of all things, that took home the prize: the Dawn of Ragnarok DLC for Ubisoft's Assassin's Creed: Valhalla. While the base game put you in the shoes of a Viking descendant of the Norse god Odin, Dawn of Ragnarok puts you right in Odin's shoes, telling a mournful, mythological tale of revenge that required a huge, bombastic sound suffused with Nordic muscle. Stephanie Economou, fresh off previous Valhalla DLC The Siege of Paris, took to that assignment with her signature gusto: She recruited black metal band Wilderun to contribute tracks and give her an education on the genre itself, her frequent collaborator Ari Mason to contribute vocals, and the show-stopping title theme saw her collaborating with Assassin's Creed musical titan Einar Selvik. It's a pulse-pounding, immersive score that's as big as its game, and Economou sat down to talk with us the week before the Grammys to discuss the building of that score, how it dovetailed into her growth as a composer, and how it feels to be the first female Grammy nominee for Best Original Video Game Score. You can find Stephanie Economou at her official website here. Assassin's Creed Valhalla: Dawn of Ragnarok is currently available to play on PC, Xbox, and PlayStation. You can also listen to the score on your preferred music streaming service courtesy of Lakeshore Records.
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100 episodes
MP3•Episode home
Manage episode 356254584 series 2916171
Content provided by Clint Worthington. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Clint Worthington or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://podcastplayer.com/legal.
Earlier this month, the 2022 Grammys ran its first-ever category for Best Score Soundtrack for Video Games and Other Interactive Media -- a long-overdue recognition of the value of video game scores as a legitimate method of expression, and a source of some incredible music. And among an initial crop of stellar composers offering intriguing sounds to all manner of video games big and small, it was a DLC, of all things, that took home the prize: the Dawn of Ragnarok DLC for Ubisoft's Assassin's Creed: Valhalla. While the base game put you in the shoes of a Viking descendant of the Norse god Odin, Dawn of Ragnarok puts you right in Odin's shoes, telling a mournful, mythological tale of revenge that required a huge, bombastic sound suffused with Nordic muscle. Stephanie Economou, fresh off previous Valhalla DLC The Siege of Paris, took to that assignment with her signature gusto: She recruited black metal band Wilderun to contribute tracks and give her an education on the genre itself, her frequent collaborator Ari Mason to contribute vocals, and the show-stopping title theme saw her collaborating with Assassin's Creed musical titan Einar Selvik. It's a pulse-pounding, immersive score that's as big as its game, and Economou sat down to talk with us the week before the Grammys to discuss the building of that score, how it dovetailed into her growth as a composer, and how it feels to be the first female Grammy nominee for Best Original Video Game Score. You can find Stephanie Economou at her official website here. Assassin's Creed Valhalla: Dawn of Ragnarok is currently available to play on PC, Xbox, and PlayStation. You can also listen to the score on your preferred music streaming service courtesy of Lakeshore Records.
…
continue reading
100 episodes
All episodes
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