In the 1980s, there were only 63 Black films by, for, or about Black Americans. But in the 1990s, that number quadrupled, with 220 Black films making their way to cinema screens nationwide. What sparked this “Black New Wave?” Who blazed this path for contemporaries like Ava DuVernay, Kasi Lemmons and Jordan Peele? And how did these films transform American culture as a whole? Presenting The Class of 1989, a new limited-run series from pop culture critics Len Webb and Vincent Williams, hosts ...
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John Powell (Still: A Michael J. Fox Movie)
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Manage episode 375311875 series 2916171
Content provided by Clint Worthington. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Clint Worthington or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://podcastplayer.com/legal.
Composer John Powell has been composing film scores since 1997; whether it's How to Train Your Dragon, The Bourne Identity, or Solo: A Star Wars Story, you've likely heard and loved at least one of his scores. He earned an Academy Award nomination in 2010 for the epic, uplifting sweep of How to Train Your Dragon, and has three Grammy nominations for his scores to Happy Feet, Ferdinand, and Solo. But now, the veteran composer has an Emmy nomination under his belt, for a decidedly different project than he's used to: Documentary. For Still: A Michael J. Fox Movie, Davis Guggenheim's Apple TV+ original exploring the actor's rise to Hollywood fame and subsequent struggle with Parkinson's, Powell spent a whopping five months working on a score that balanced Fox's unique struggles while emphasizing the joy and energy that animates the actor's decades-long career. Powell was also kind enough to join us to talk for a bit about the arduous process of building the score, how scoring for documentary requires an entirely different musical vocabulary, and how Guggenheim pulled him through his toughest moments as a composer. You can find John Powell at his official website here. Still: A Michael J. Fox Movie is currently streaming on Apple TV+. You can also listen to the score on your preferred music streaming service courtesy of Lakeshore Records.
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100 episodes
MP3•Episode home
Manage episode 375311875 series 2916171
Content provided by Clint Worthington. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Clint Worthington or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://podcastplayer.com/legal.
Composer John Powell has been composing film scores since 1997; whether it's How to Train Your Dragon, The Bourne Identity, or Solo: A Star Wars Story, you've likely heard and loved at least one of his scores. He earned an Academy Award nomination in 2010 for the epic, uplifting sweep of How to Train Your Dragon, and has three Grammy nominations for his scores to Happy Feet, Ferdinand, and Solo. But now, the veteran composer has an Emmy nomination under his belt, for a decidedly different project than he's used to: Documentary. For Still: A Michael J. Fox Movie, Davis Guggenheim's Apple TV+ original exploring the actor's rise to Hollywood fame and subsequent struggle with Parkinson's, Powell spent a whopping five months working on a score that balanced Fox's unique struggles while emphasizing the joy and energy that animates the actor's decades-long career. Powell was also kind enough to join us to talk for a bit about the arduous process of building the score, how scoring for documentary requires an entirely different musical vocabulary, and how Guggenheim pulled him through his toughest moments as a composer. You can find John Powell at his official website here. Still: A Michael J. Fox Movie is currently streaming on Apple TV+. You can also listen to the score on your preferred music streaming service courtesy of Lakeshore Records.
…
continue reading
100 episodes
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