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074 | 「一战再战」:告别宏大叙事,拥抱日常英雄 Beyond Grand Narratives, Toward Everyday Heroes

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Manage episode 522709023 series 3324279
Content provided by Cyberpink. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Cyberpink or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://podcastplayer.com/legal.

【聊了什么The What】

本期节目,我们与哲学家袁源、友台美轮美换主播Lokin一同过度解读了保罗·托马斯·安德森(Paul Thomas Anderson)很有嚼劲的新作《一战再战》。这部电影是让小杨“撇着嘴进去,真香着出来”的年度惊喜,也是袁源觉得十分“就这”的陈词滥调。我们从加缪的《反叛者》出发,探讨暴力革命的伦理困境:当“妇人之仁”成为罪行,对抽象理念的狂热是否必然以牺牲具体的人为代价?Perfidia是一个挑战观众道德底线的反英雄,还是一位被男性凝视和刻板印象所困的复杂女性?Perfidia式的、为“爽”而战的景观式革命的反面,是否是Sensei式的、根植于邻里互助的日常英雄主义?

For this episode, we invited philosopher Yuan Yuan and Lokin to join us in over-interpreting Paul Thomas Anderson’s chewy new film One Battle After Another. It’s a movie that some of us walked into with doubts and walked out of utterly charmed, while others find it to be a thoroughly “meh” bundle of clichés. Starting from Camus’s The Rebel, we dig into the ethical dilemmas of revolutionary violence: when “womanly compassion” becomes a crime, does fervor for an abstract ideal inevitably demand the sacrifice of concrete human lives? Is Perfidia a boundary-pushing anti-hero who defies our moral expectations, or a complex woman trapped within male gaze and stereotype? And if Perfidia’s spectacle-driven, pleasure-forward revolution is one end of the spectrum, is its opposite the Sensei style—an everyday heroism grounded in neighborly mutual aid?

【时间轴 The When】

  • 00:00 电影《一战再战》剧情速览和第一印象

  • 10:23 为何将60年代的革命美学平移到2008年让人“不买账”?

  • 22:34 暴力革命的道德思辨:电影中的革命行动是否满足“正义的目标”、“必要性”与“相称性”?

  • 31:33 Perfidia是刻板印象还是反英雄?

  • 54:12 Willa打破父辈创伤的循环了吗?

  • 58:03 “非盈利蛇头”Sensei和日常的英雄主义

  • 67:07 对白人至上主义的辛辣讽刺

  • 78:47 结局:这也能大团圆

  • 00:00 Quick plot recap of One Battle After Another and our initial reactions

  • 10:23 Why does transplanting 1960s revolutionary aesthetics into 2008 feel so unconvincing?

  • 22:34 Moral reasoning around violent revolution: do the film’s actions satisfy “just cause,” “necessity,” and “proportionality”?

  • 31:33 Perfidia: sexualized or anti-hero?

  • 54:12 Does Willa break the cycle of her parents’ trauma?

  • 58:03 The “non-profit coyote” Sensei and the quiet heroism of the everyday

  • 67:07 A sharp satire of white supremacism

  • 78:47 The ending: …so this counts as a happy ending?

【拓展链接 The Links】

【买咖啡 Please Support Us】

如果喜欢这期节目并愿意想要给我们买杯咖啡:

If you like our show and want to support us, please consider the following:


Support on Patreon | 爱发电上赞助

  continue reading

75 episodes

Artwork
iconShare
 
Manage episode 522709023 series 3324279
Content provided by Cyberpink. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Cyberpink or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://podcastplayer.com/legal.

【聊了什么The What】

本期节目,我们与哲学家袁源、友台美轮美换主播Lokin一同过度解读了保罗·托马斯·安德森(Paul Thomas Anderson)很有嚼劲的新作《一战再战》。这部电影是让小杨“撇着嘴进去,真香着出来”的年度惊喜,也是袁源觉得十分“就这”的陈词滥调。我们从加缪的《反叛者》出发,探讨暴力革命的伦理困境:当“妇人之仁”成为罪行,对抽象理念的狂热是否必然以牺牲具体的人为代价?Perfidia是一个挑战观众道德底线的反英雄,还是一位被男性凝视和刻板印象所困的复杂女性?Perfidia式的、为“爽”而战的景观式革命的反面,是否是Sensei式的、根植于邻里互助的日常英雄主义?

For this episode, we invited philosopher Yuan Yuan and Lokin to join us in over-interpreting Paul Thomas Anderson’s chewy new film One Battle After Another. It’s a movie that some of us walked into with doubts and walked out of utterly charmed, while others find it to be a thoroughly “meh” bundle of clichés. Starting from Camus’s The Rebel, we dig into the ethical dilemmas of revolutionary violence: when “womanly compassion” becomes a crime, does fervor for an abstract ideal inevitably demand the sacrifice of concrete human lives? Is Perfidia a boundary-pushing anti-hero who defies our moral expectations, or a complex woman trapped within male gaze and stereotype? And if Perfidia’s spectacle-driven, pleasure-forward revolution is one end of the spectrum, is its opposite the Sensei style—an everyday heroism grounded in neighborly mutual aid?

【时间轴 The When】

  • 00:00 电影《一战再战》剧情速览和第一印象

  • 10:23 为何将60年代的革命美学平移到2008年让人“不买账”?

  • 22:34 暴力革命的道德思辨:电影中的革命行动是否满足“正义的目标”、“必要性”与“相称性”?

  • 31:33 Perfidia是刻板印象还是反英雄?

  • 54:12 Willa打破父辈创伤的循环了吗?

  • 58:03 “非盈利蛇头”Sensei和日常的英雄主义

  • 67:07 对白人至上主义的辛辣讽刺

  • 78:47 结局:这也能大团圆

  • 00:00 Quick plot recap of One Battle After Another and our initial reactions

  • 10:23 Why does transplanting 1960s revolutionary aesthetics into 2008 feel so unconvincing?

  • 22:34 Moral reasoning around violent revolution: do the film’s actions satisfy “just cause,” “necessity,” and “proportionality”?

  • 31:33 Perfidia: sexualized or anti-hero?

  • 54:12 Does Willa break the cycle of her parents’ trauma?

  • 58:03 The “non-profit coyote” Sensei and the quiet heroism of the everyday

  • 67:07 A sharp satire of white supremacism

  • 78:47 The ending: …so this counts as a happy ending?

【拓展链接 The Links】

【买咖啡 Please Support Us】

如果喜欢这期节目并愿意想要给我们买杯咖啡:

If you like our show and want to support us, please consider the following:


Support on Patreon | 爱发电上赞助

  continue reading

75 episodes

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