In For Scores, host Jon Burlingame takes listeners on a magical journey into the world of film and television composers, revealing never-before-heard special moments behind many of today's most beloved scores. This season, you'll hear personal stories from the composers of Marvel Studios Avengers and Pixar's Toy Story films, Captain Marvel, Coco, Ralph Breaks the Internet, and so much more!
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Barry first found music when he borrowed his sister's record collection when he was about eight and was hooked. When Caroline started it was a new beginning, and he listened to all the stations, but Caroline was his favourite by far. Later he became a singer in a band, then started doing discos when he was 18. He joined Caroline in 1977, touring the country with the Caroline Roadshow for 10 years, having great fun. Barry helped with tender trips and worked on the Ross Revenge in '84 and '85. ...
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085 - Julian Woods
Manage episode 471844051 series 2464494
Content provided by Now and Xen. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Now and Xen or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://podcastplayer.com/legal.
Microtonal jazz extraordinaire Julian Woods shares with us his methodology for re-tuning classic standards into JI and what it's like playing in a live band. Topics include playing songs, composition directives, microtonal setups, and guitarists' advantages for frets, fretlets, and fretless, Philipp Gerschlauer has collaborated with Julian on his own work "Every swing has a silver roundabout" and on microtonal "Angel Eyes," reharmonized in 13-limit JI (with mostly 5 and 7 limit vertical relationships in the triads). Some notes about our analysis: when Julian is showing the sheet music to Angel Eyes, it's in a different key than the one in which we hear the demo and final song (G minor). Also, at one point Julian mentions G half sharp major, but means A half flat major (I believe). Also, check out a sneak peek of a secret new piece at the end inspired by Ligeti! [video-only shot of guitar] Every swing has a silver roundabout [Just Intonation] - Julian Woods Angel Eyes (sung by Frank Sinatra) Angel Eyes (Julian Woods and Philipp Gerschlauer) [Just Intonation] [snippet] Every swing has a silver roundabout [Just Intonation] - Julian Woods [blues section] Every swing has a silver roundabout [Just Intonation] - Julian Woods String Quartet No. 2 - Ligeti [sung theme] Every swing has a silver roundabout [Just Intonation] - Julian Woods [held notes] Every swing has a silver roundabout [Just Intonation] - Julian Woods [chords in blues] Every swing has a silver roundabout [Just Intonation] - Julian Woods [sung microtones] Angel Eyes (Julian Woods and Philipp Gerschlauer) [Just Intonation] [demo version] Angel Eyes (Julian Woods and Philipp Gerschlauer) [Just Intonation] [demo version with 128/125 between E-flat and D-sharp] Angel Eyes (Julian Woods and Philipp Gerschlauer) [Just Intonation] [snippet 1] Eels "One for Ligeti" - Julian Woods [snippet 2] Eels "One for Ligeti" - Julian Woods Outro - Night & Day (Julian Woods and Philipp Gerschlauer) [Just Intonation] Julian's music: https://www.youtube.com/@julianwoods7569 https://www.instagram.com/julian_woods_/ https://linktr.ee/julian_woods?fbclid=PAZXh0bgNhZW0CMTEAAaYe7aSNe0sJU6bXODFI78_xn90gh3-PMghW5LH5WjB-6IOC5r3F8NVWdoA_aem_10dyCOhTIbvkp3UmgdZzbw https://gerschlauermusic.bandcamp.com/album/microtonal-toolkit-for-improvisers
Support us on Patreon! https://www.patreon.com/nowandxen Follow http://nowandxen.libsyn.com https://twitter.com/now_xen https://www.facebook.com/nowxen/ Subscribe RSS: http://nowandxen.libsyn.com/rss iTunes: https://itunes.apple.com/us/podcast/n… Spotify: https://open.spotify.com/show/1mhnGsH… Stitcher: https://www.stitcher.com/podcast/nowxen Twitter: https://twitter.com/now_xen Facebook: https://www.facebook.com/nowxen/ YouTube: https://www.youtube.com/channel/UCnmYNMpemAIq8DnK5HJ9gsA
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Manage episode 471844051 series 2464494
Content provided by Now and Xen. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Now and Xen or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://podcastplayer.com/legal.
Microtonal jazz extraordinaire Julian Woods shares with us his methodology for re-tuning classic standards into JI and what it's like playing in a live band. Topics include playing songs, composition directives, microtonal setups, and guitarists' advantages for frets, fretlets, and fretless, Philipp Gerschlauer has collaborated with Julian on his own work "Every swing has a silver roundabout" and on microtonal "Angel Eyes," reharmonized in 13-limit JI (with mostly 5 and 7 limit vertical relationships in the triads). Some notes about our analysis: when Julian is showing the sheet music to Angel Eyes, it's in a different key than the one in which we hear the demo and final song (G minor). Also, at one point Julian mentions G half sharp major, but means A half flat major (I believe). Also, check out a sneak peek of a secret new piece at the end inspired by Ligeti! [video-only shot of guitar] Every swing has a silver roundabout [Just Intonation] - Julian Woods Angel Eyes (sung by Frank Sinatra) Angel Eyes (Julian Woods and Philipp Gerschlauer) [Just Intonation] [snippet] Every swing has a silver roundabout [Just Intonation] - Julian Woods [blues section] Every swing has a silver roundabout [Just Intonation] - Julian Woods String Quartet No. 2 - Ligeti [sung theme] Every swing has a silver roundabout [Just Intonation] - Julian Woods [held notes] Every swing has a silver roundabout [Just Intonation] - Julian Woods [chords in blues] Every swing has a silver roundabout [Just Intonation] - Julian Woods [sung microtones] Angel Eyes (Julian Woods and Philipp Gerschlauer) [Just Intonation] [demo version] Angel Eyes (Julian Woods and Philipp Gerschlauer) [Just Intonation] [demo version with 128/125 between E-flat and D-sharp] Angel Eyes (Julian Woods and Philipp Gerschlauer) [Just Intonation] [snippet 1] Eels "One for Ligeti" - Julian Woods [snippet 2] Eels "One for Ligeti" - Julian Woods Outro - Night & Day (Julian Woods and Philipp Gerschlauer) [Just Intonation] Julian's music: https://www.youtube.com/@julianwoods7569 https://www.instagram.com/julian_woods_/ https://linktr.ee/julian_woods?fbclid=PAZXh0bgNhZW0CMTEAAaYe7aSNe0sJU6bXODFI78_xn90gh3-PMghW5LH5WjB-6IOC5r3F8NVWdoA_aem_10dyCOhTIbvkp3UmgdZzbw https://gerschlauermusic.bandcamp.com/album/microtonal-toolkit-for-improvisers
Support us on Patreon! https://www.patreon.com/nowandxen Follow http://nowandxen.libsyn.com https://twitter.com/now_xen https://www.facebook.com/nowxen/ Subscribe RSS: http://nowandxen.libsyn.com/rss iTunes: https://itunes.apple.com/us/podcast/n… Spotify: https://open.spotify.com/show/1mhnGsH… Stitcher: https://www.stitcher.com/podcast/nowxen Twitter: https://twitter.com/now_xen Facebook: https://www.facebook.com/nowxen/ YouTube: https://www.youtube.com/channel/UCnmYNMpemAIq8DnK5HJ9gsA
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Similar to Now and Xen
In For Scores, host Jon Burlingame takes listeners on a magical journey into the world of film and television composers, revealing never-before-heard special moments behind many of today's most beloved scores. This season, you'll hear personal stories from the composers of Marvel Studios Avengers and Pixar's Toy Story films, Captain Marvel, Coco, Ralph Breaks the Internet, and so much more!
…
continue reading
Barry first found music when he borrowed his sister's record collection when he was about eight and was hooked. When Caroline started it was a new beginning, and he listened to all the stations, but Caroline was his favourite by far. Later he became a singer in a band, then started doing discos when he was 18. He joined Caroline in 1977, touring the country with the Caroline Roadshow for 10 years, having great fun. Barry helped with tender trips and worked on the Ross Revenge in '84 and '85. ...
…
continue reading
Formerly the Metal Injection Livecast, a weekly skewering of pop culture and beyond from the minds of 3 rock fans. Hosted on Acast. See acast.com/privacy for more information.
…
continue reading
This blues podcast brings the best of blues music to ya, old and new, signed and unsigned! Get a refill on your favorite drink, grab a seat, and get ready to get some blues in the blood!
…
continue reading
An independent radio station from Tel Aviv. For music lovers by music lovers.
…
continue reading
this podcast is going to be all about 60's music. the goal with this podcast is to educate a younger generation on one of the greatest decades of music of all time, and to prove to people that Millennials can love 60's music as well and it's not just for Baby boomers. Each week I"m going to review one song by one artist from the 60's and split the podcast into two halfs. first half is going to be my perspective and my opinion on the song and why I think it's so good or why I don't think it's ...
…
continue reading
Since launching in 2000, All Songs Considered has been NPR's flagship program for music discovery, artist interviews and conversations with friends and fellow music lovers about the really big questions, like what was the best decade for music, are there albums everyone can agree on, and what do you put on when you need a good cry? Weekly, with host Robin Hilton and the NPR Music family.
…
continue reading
Your source for Metal news, views, tunes and interviews!
…
continue reading
Host Julie Amacher provides an in-depth exploration of a new classical music release each week.
…
continue reading
The Sounds in My Head is a biweekly music show featuring songs and bands you might have missed. Hosted by Daniel since 2004. Musically The Sounds in My Head attempts to be fairly eclectic, but probably tends to lean towards "indie pop" music. Also, I try to squeeze in as much left-wing propaganda as possible between tracks.
…
continue reading
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