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9.2 Monstrous Dreaming: Lauren Beukes and Andrew Pepper

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Manage episode 476175949 series 3341617
Content provided by New Books Network, Aarthi Vadde, and John Plotz. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by New Books Network, Aarthi Vadde, and John Plotz or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://podcastplayer.com/legal.

What work can genre do today? And can the genre system become more than a method of reductive containment and market segmentation—can it be a generative source of imaginative chaos? Few are as qualified to address these questions as Lauren Beukes, whose simultaneous embrace of genres from science fiction to crime to horror and refusal to abide within their borders—what she calls her “Big Fuck You Energy”—has rendered her, by her own account, “basically un-shelve-able.” Beukes is joined by crime fiction scholar (and novelist) Andrew Pepper of Queen’s University Belfast for a conversation that dances across her oeuvre’s many genres. They delve into how Beukes first encountered genre through the allegories that writers used to navigate the apartheid state of South Africa; how Beukes’ experiences of femicidal violence and police apathy inspired her work in genre-bent crime (“At least in novels I get to have justice,” she tells us); the inflection of dystopia from different global perspectives; and the role of speculative fiction in helping clarify political enemies in an age of obfuscation. Pepper and Beukes also think about genre in more practical terms, from the logistics of keeping track of plotlines when crafting time travel or multiverse novels to what it means to be a “high concept” author in a market designed for distracted audiences.

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66 episodes

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Manage episode 476175949 series 3341617
Content provided by New Books Network, Aarthi Vadde, and John Plotz. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by New Books Network, Aarthi Vadde, and John Plotz or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://podcastplayer.com/legal.

What work can genre do today? And can the genre system become more than a method of reductive containment and market segmentation—can it be a generative source of imaginative chaos? Few are as qualified to address these questions as Lauren Beukes, whose simultaneous embrace of genres from science fiction to crime to horror and refusal to abide within their borders—what she calls her “Big Fuck You Energy”—has rendered her, by her own account, “basically un-shelve-able.” Beukes is joined by crime fiction scholar (and novelist) Andrew Pepper of Queen’s University Belfast for a conversation that dances across her oeuvre’s many genres. They delve into how Beukes first encountered genre through the allegories that writers used to navigate the apartheid state of South Africa; how Beukes’ experiences of femicidal violence and police apathy inspired her work in genre-bent crime (“At least in novels I get to have justice,” she tells us); the inflection of dystopia from different global perspectives; and the role of speculative fiction in helping clarify political enemies in an age of obfuscation. Pepper and Beukes also think about genre in more practical terms, from the logistics of keeping track of plotlines when crafting time travel or multiverse novels to what it means to be a “high concept” author in a market designed for distracted audiences.

Mentioned in this Episode

Learn more about your ad choices. Visit megaphone.fm/adchoices

  continue reading

66 episodes

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