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K. Ian Shin, "Imperial Stewards: Chinese Art and the Making of America's Pacific Century" (Stanford UP, 2025)

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Manage episode 501906160 series 2421437
Content provided by New Books Network and New Books. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by New Books Network and New Books or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://podcastplayer.com/legal.

This episode, which is co-hosted with Delaney Chieyen Holton, features Dr. K. Ian Shin discussing his recently published book, Imperial Stewards: Chinese Art and the Making of America’s Pacific Century (Standford UP, 2025).

Imperial Stewards argues that, beyond aesthetic taste and economics, geopolitics were critical to the United States’ transformation into possessing some of the world’s largest and most sophisticated collections of Chinese art between the Gilded Age and World War II. Collecting and studying Chinese art and antiquities honed Americans' belief that they should dominate Asia and the Pacific Ocean through the ideology of imperial stewardship—a view that encompassed both genuine curiosity and care for Chinese art, and the enduring structures of domination and othering that underpinned the burgeoning transpacific art market.

Tracing networks across both the Pacific and the Atlantic Oceans, K. Ian Shin uncovers a diverse cast of historical actors that both contributed to US imperial stewardship and also challenged it, including Protestant missionaries, German diplomats, Chinese-Hawaiian merchants, and Chinese overseas students, among others. By examining the development of Chinese art collecting and scholarship in the United States around the turn of the twentieth century, Imperial Stewards reveals both the cultural impetus behind Americans' long-standing aspirations for a Pacific Century and a way to understand—and critique—the duality of US imperial power around the globe.

Ian Shin is Assistant Professor of History and American Culture at the University of Michigan, where he is also a core faculty member in the Asian/Pacific Islander American Studies Program. In addition to Imperial Stewards, his articles and reviews on topics that range from the Boy Scout movement in New York's Chinatown to the role of colleges and universities in 19th-century U.S.-China relations to the history of museums of American art have appeared in Amerasia Journal, Journal of Asian American Studies, Journal of American-East Asian Relations, and Connecticut Historical Review.

Donna Doan Anderson is the Mellon research assistant professor in U.S. Law and Race at the University of Nebraska-Lincoln.

Delaney Chieyen Holton is a Ph.D. candidate in Art History at Stanford University.

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920 episodes

Artwork
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Manage episode 501906160 series 2421437
Content provided by New Books Network and New Books. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by New Books Network and New Books or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://podcastplayer.com/legal.

This episode, which is co-hosted with Delaney Chieyen Holton, features Dr. K. Ian Shin discussing his recently published book, Imperial Stewards: Chinese Art and the Making of America’s Pacific Century (Standford UP, 2025).

Imperial Stewards argues that, beyond aesthetic taste and economics, geopolitics were critical to the United States’ transformation into possessing some of the world’s largest and most sophisticated collections of Chinese art between the Gilded Age and World War II. Collecting and studying Chinese art and antiquities honed Americans' belief that they should dominate Asia and the Pacific Ocean through the ideology of imperial stewardship—a view that encompassed both genuine curiosity and care for Chinese art, and the enduring structures of domination and othering that underpinned the burgeoning transpacific art market.

Tracing networks across both the Pacific and the Atlantic Oceans, K. Ian Shin uncovers a diverse cast of historical actors that both contributed to US imperial stewardship and also challenged it, including Protestant missionaries, German diplomats, Chinese-Hawaiian merchants, and Chinese overseas students, among others. By examining the development of Chinese art collecting and scholarship in the United States around the turn of the twentieth century, Imperial Stewards reveals both the cultural impetus behind Americans' long-standing aspirations for a Pacific Century and a way to understand—and critique—the duality of US imperial power around the globe.

Ian Shin is Assistant Professor of History and American Culture at the University of Michigan, where he is also a core faculty member in the Asian/Pacific Islander American Studies Program. In addition to Imperial Stewards, his articles and reviews on topics that range from the Boy Scout movement in New York's Chinatown to the role of colleges and universities in 19th-century U.S.-China relations to the history of museums of American art have appeared in Amerasia Journal, Journal of Asian American Studies, Journal of American-East Asian Relations, and Connecticut Historical Review.

Donna Doan Anderson is the Mellon research assistant professor in U.S. Law and Race at the University of Nebraska-Lincoln.

Delaney Chieyen Holton is a Ph.D. candidate in Art History at Stanford University.

Learn more about your ad choices. Visit megaphone.fm/adchoices

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

  continue reading

920 episodes

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