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Content provided by Anthony Clint Jr.. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Anthony Clint Jr. or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://podcastplayer.com/legal.
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EP. 113 Sync Licensing Wins, Submission Strategy & Pitching Realities

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Manage episode 496059494 series 2895849
Content provided by Anthony Clint Jr.. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Anthony Clint Jr. or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://podcastplayer.com/legal.

In this episode of Music Is My Business, Clint spotlights recent wins from Sync Producer Hub members and answers live questions from the community about pitching, collaboration, and navigating the sync licensing space. He shares real-world strategies and insights into what actually works when submitting your music to libraries and building lasting sync relationships.

If you're working toward consistent placements and income through sync, this episode is a must-listen.

  • Tips for setting your own deadlines when libraries don’t give one
  • How to pitch orchestral music for the first time — full album or single tracks?
  • Sync-friendly collabs and what to avoid
  • Playlist submission platforms explained (Disco, RealCrafter, etc.)
  • How to pitch the same tracks to multiple libraries the right way
  • What’s a fair price for work-for-hire vocals?
  • Pitching portfolio links vs. submitting finished tracks — what works better?
  • Can you pitch cover versions or trailerized versions of copyrighted songs?

Join Sync Producer Hub: https://www.syncproducerhub.com

  continue reading

100 episodes

Artwork
iconShare
 
Manage episode 496059494 series 2895849
Content provided by Anthony Clint Jr.. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Anthony Clint Jr. or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://podcastplayer.com/legal.

In this episode of Music Is My Business, Clint spotlights recent wins from Sync Producer Hub members and answers live questions from the community about pitching, collaboration, and navigating the sync licensing space. He shares real-world strategies and insights into what actually works when submitting your music to libraries and building lasting sync relationships.

If you're working toward consistent placements and income through sync, this episode is a must-listen.

  • Tips for setting your own deadlines when libraries don’t give one
  • How to pitch orchestral music for the first time — full album or single tracks?
  • Sync-friendly collabs and what to avoid
  • Playlist submission platforms explained (Disco, RealCrafter, etc.)
  • How to pitch the same tracks to multiple libraries the right way
  • What’s a fair price for work-for-hire vocals?
  • Pitching portfolio links vs. submitting finished tracks — what works better?
  • Can you pitch cover versions or trailerized versions of copyrighted songs?

Join Sync Producer Hub: https://www.syncproducerhub.com

  continue reading

100 episodes

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