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Content provided by Kirk Curnutt and Robert Trogdon, Kirk Curnutt, and Robert Trogdon. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Kirk Curnutt and Robert Trogdon, Kirk Curnutt, and Robert Trogdon or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://podcastplayer.com/legal.
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"The Offshore Pirate"

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Manage episode 494138076 series 2900822
Content provided by Kirk Curnutt and Robert Trogdon, Kirk Curnutt, and Robert Trogdon. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Kirk Curnutt and Robert Trogdon, Kirk Curnutt, and Robert Trogdon or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://podcastplayer.com/legal.

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After a year's sabbatical planning the April 2025 Gatsby Centennial and the Fitzgerald Society's June 2025 accompanying conference, Master the 40 is back with a discussion of Fitzgerald's quintessential flapper story "The Offshore Pirate." Originally published in the May 29, 1920 issue of The Saturday Evening Post, this delightful trick-ending tale tells the story of an importunate young girl, Ardita Farnam, who is kidnapped by a self-described jazz musician-turned-pirate, Curtis Carlyle, who embodies Ardita's notion of romance as a daring spectacle or all-out pageantry. Full of snappy patter and vivid illustration, the story conveys all the sass and satire of Fitzgerald's fondness for the so-called "rising generation" in revolt against elders' stuffy Victorianism. Most interesting here, though, is Fitzgerald's complex ambivalence toward jazz and the way the story can be read as a parody of the self-made man tradition. As we celebrate this story, we can only add that it is good to be back! By the way, we created via AI our opening music using Fitzgerald's lyrics from the story. Proof the AI can't replace real musicianship!

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23 episodes

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Manage episode 494138076 series 2900822
Content provided by Kirk Curnutt and Robert Trogdon, Kirk Curnutt, and Robert Trogdon. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Kirk Curnutt and Robert Trogdon, Kirk Curnutt, and Robert Trogdon or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://podcastplayer.com/legal.

Send us a text

After a year's sabbatical planning the April 2025 Gatsby Centennial and the Fitzgerald Society's June 2025 accompanying conference, Master the 40 is back with a discussion of Fitzgerald's quintessential flapper story "The Offshore Pirate." Originally published in the May 29, 1920 issue of The Saturday Evening Post, this delightful trick-ending tale tells the story of an importunate young girl, Ardita Farnam, who is kidnapped by a self-described jazz musician-turned-pirate, Curtis Carlyle, who embodies Ardita's notion of romance as a daring spectacle or all-out pageantry. Full of snappy patter and vivid illustration, the story conveys all the sass and satire of Fitzgerald's fondness for the so-called "rising generation" in revolt against elders' stuffy Victorianism. Most interesting here, though, is Fitzgerald's complex ambivalence toward jazz and the way the story can be read as a parody of the self-made man tradition. As we celebrate this story, we can only add that it is good to be back! By the way, we created via AI our opening music using Fitzgerald's lyrics from the story. Proof the AI can't replace real musicianship!

  continue reading

23 episodes

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