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Mahler Rückert-Lieder – Um Mitternacht (At Midnight)

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Manage episode 288353201 series 2900628
Content provided by Mahler Foundation. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Mahler Foundation or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://podcastplayer.com/legal.

Um Mitternacht moves from the most brilliant day to deepest night, and the change is once more immediately apparent in its coloration. Mahler calls for an orchestra without strings. In addition to pairs of woodwinds (with a single oboe d’amore replacing the usual oboes), three horns, two trumpets, three trombones, a single tuba, and timpani, both harp and piano are prescribed.

The length, weight and scale of the song match its theme. Five six-line stanzas (each of which begins and ends with “Um Mitternacht”) are set in a rich and complex contrapuntal idiom, more symphonic than lyric in character.

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A listening guide of Rückert-Lieder – Um Mitternacht with Lew Smoley.

  continue reading

115 episodes

Artwork
iconShare
 
Manage episode 288353201 series 2900628
Content provided by Mahler Foundation. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Mahler Foundation or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://podcastplayer.com/legal.

Um Mitternacht moves from the most brilliant day to deepest night, and the change is once more immediately apparent in its coloration. Mahler calls for an orchestra without strings. In addition to pairs of woodwinds (with a single oboe d’amore replacing the usual oboes), three horns, two trumpets, three trombones, a single tuba, and timpani, both harp and piano are prescribed.

The length, weight and scale of the song match its theme. Five six-line stanzas (each of which begins and ends with “Um Mitternacht”) are set in a rich and complex contrapuntal idiom, more symphonic than lyric in character.

---

A listening guide of Rückert-Lieder – Um Mitternacht with Lew Smoley.

  continue reading

115 episodes

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