Barry first found music when he borrowed his sister's record collection when he was about eight and was hooked. When Caroline started it was a new beginning, and he listened to all the stations, but Caroline was his favourite by far. Later he became a singer in a band, then started doing discos when he was 18. He joined Caroline in 1977, touring the country with the Caroline Roadshow for 10 years, having great fun. Barry helped with tender trips and worked on the Ross Revenge in '84 and '85. ...
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this podcast is going to be all about 60's music. the goal with this podcast is to educate a younger generation on one of the greatest decades of music of all time, and to prove to people that Millennials can love 60's music as well and it's not just for Baby boomers. Each week I"m going to review one song by one artist from the 60's and split the podcast into two halfs. first half is going to be my perspective and my opinion on the song and why I think it's so good or why I don't think it's ...
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Julian Casablancas
Manage episode 446572740 series 1734009
Content provided by Jenny Eliscu. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Jenny Eliscu or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://podcastplayer.com/legal.
What an incredible joy it was to spend some time talking face to face with one of my all-time favorite artists — Julian Casablancas of The Voidz and The Strokes — for episode 113 of the LSQ podcast. We met up for this interview backstage at LA’s Orpheum Theater just after The Voidz played a mind-blowing set, including music from their awesome new album, Like All Before You. Although we’re old friends and have done more than a few interviews over the years, this conversation allowed us to touch on subjects we’d never reached in the past. In addition to talking about both of his bands and how their goals have evolved, we discuss Julian’s own development as a songwriter and musician, starting with his teenage years learning to play songs by Nirvana and Green Day on guitar as a springboard for writing his own tunes, how he gained the confidence to begin sharing his music with friends (at one point pretending that his own composition was a Rancid tune, just to see what people thought of it), and how long it took before he finally felt like his writing was on the right track (turns out it wasn’t until the Strokes song “Soma,” during the bands early days). He also shares about his songwriting practice (sometimes they come to him in dreams) and about the moments when he feels most inspired by the creative process. And more! Keep up with The Voidz here!
121 episodes
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Manage episode 446572740 series 1734009
Content provided by Jenny Eliscu. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Jenny Eliscu or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://podcastplayer.com/legal.
What an incredible joy it was to spend some time talking face to face with one of my all-time favorite artists — Julian Casablancas of The Voidz and The Strokes — for episode 113 of the LSQ podcast. We met up for this interview backstage at LA’s Orpheum Theater just after The Voidz played a mind-blowing set, including music from their awesome new album, Like All Before You. Although we’re old friends and have done more than a few interviews over the years, this conversation allowed us to touch on subjects we’d never reached in the past. In addition to talking about both of his bands and how their goals have evolved, we discuss Julian’s own development as a songwriter and musician, starting with his teenage years learning to play songs by Nirvana and Green Day on guitar as a springboard for writing his own tunes, how he gained the confidence to begin sharing his music with friends (at one point pretending that his own composition was a Rancid tune, just to see what people thought of it), and how long it took before he finally felt like his writing was on the right track (turns out it wasn’t until the Strokes song “Soma,” during the bands early days). He also shares about his songwriting practice (sometimes they come to him in dreams) and about the moments when he feels most inspired by the creative process. And more! Keep up with The Voidz here!
121 episodes
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Similar to LSQ
Barry first found music when he borrowed his sister's record collection when he was about eight and was hooked. When Caroline started it was a new beginning, and he listened to all the stations, but Caroline was his favourite by far. Later he became a singer in a band, then started doing discos when he was 18. He joined Caroline in 1977, touring the country with the Caroline Roadshow for 10 years, having great fun. Barry helped with tender trips and worked on the Ross Revenge in '84 and '85. ...
…
continue reading
In For Scores, host Jon Burlingame takes listeners on a magical journey into the world of film and television composers, revealing never-before-heard special moments behind many of today's most beloved scores. This season, you'll hear personal stories from the composers of Marvel Studios Avengers and Pixar's Toy Story films, Captain Marvel, Coco, Ralph Breaks the Internet, and so much more!
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continue reading
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continue reading
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continue reading
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