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Becoming an Object: An Evening with Skip Arnold

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Manage episode 454131639 series 1098630
Content provided by thisisliveart. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by thisisliveart or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://podcastplayer.com/legal.
Writer and academic Dominic Johnson hosts a rare UK appearance by the US (French based) artist Skip Arnold. They will screen a selection of Skip’s videos and other documents, and discuss the body, duration, intervention, commitment, and documentation. Skip Arnold is a significant artist who works primarily in public, durational and/or behavioural actions and “activities”, and has created performances internationally since 1983. He has slammed his body into white walls in order to make a drawing (Marks, 1984); been exhibited in a Lucite display case for two weeks (On Display, 1993); was shipped as freight from city to city (Freight, 1993); became human flotsam risking paranormal death in the Bermuda Triangle (B. T. Exploration, 1996); and was preserved as like a relic beneath glass so as to be walked over to enter an art fair (Gruezi, 2002).
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164 episodes

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Manage episode 454131639 series 1098630
Content provided by thisisliveart. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by thisisliveart or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://podcastplayer.com/legal.
Writer and academic Dominic Johnson hosts a rare UK appearance by the US (French based) artist Skip Arnold. They will screen a selection of Skip’s videos and other documents, and discuss the body, duration, intervention, commitment, and documentation. Skip Arnold is a significant artist who works primarily in public, durational and/or behavioural actions and “activities”, and has created performances internationally since 1983. He has slammed his body into white walls in order to make a drawing (Marks, 1984); been exhibited in a Lucite display case for two weeks (On Display, 1993); was shipped as freight from city to city (Freight, 1993); became human flotsam risking paranormal death in the Bermuda Triangle (B. T. Exploration, 1996); and was preserved as like a relic beneath glass so as to be walked over to enter an art fair (Gruezi, 2002).
  continue reading

164 episodes

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