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KQEK.com -- Interview with film composer John Debney

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Manage episode 154637095 series 1129253
Content provided by Mark R. Hasan. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Mark R. Hasan or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://podcastplayer.com/legal.

John Debney is one of the few composers able to drift between various genres and apply his gift for strong themes and craft either richly melodic orchestral works or large-scale works featuring orchestral dissonance with deft touches of electronics.

Although he's been scoring film and TV projects since 1980, he's perhaps best-known for the hugely successful score for Mel Gibson's The Passion of the Christ (2004), plus a long string of popular comedies (Liar Liar), family films (The Ant Bully), sci-fi (Predators), and horror (I Know What You Did Last Summer), and the release of The Call features a unique fusion of heavy electronica and light orchestral elements for Brad Anderson's 2013 thriller.

In our podcast, Debney also disscusses his classic horror score for The Relic, recently released in an expanded CD by La-La Land Records, and the Emmy Nominated music for Hatfields & McCoys, co-composed with Tony Morales (also interviewed), and released by Silva Screen Records.

If you enjoyed this podcast, connect with us on Facebook and follow us on Twitter.

Visit KQEK.com for additional film reviews, soundtrack reviews, interviews, and read the Editor's Blog by Mark R. Hasan for additional info and related links.

All podcast editing, mixing, and audio restoration produced in-house. For inquiries and demo reels, please visit Mondomark.com.

  continue reading

70 episodes

Artwork
iconShare
 
Manage episode 154637095 series 1129253
Content provided by Mark R. Hasan. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Mark R. Hasan or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://podcastplayer.com/legal.

John Debney is one of the few composers able to drift between various genres and apply his gift for strong themes and craft either richly melodic orchestral works or large-scale works featuring orchestral dissonance with deft touches of electronics.

Although he's been scoring film and TV projects since 1980, he's perhaps best-known for the hugely successful score for Mel Gibson's The Passion of the Christ (2004), plus a long string of popular comedies (Liar Liar), family films (The Ant Bully), sci-fi (Predators), and horror (I Know What You Did Last Summer), and the release of The Call features a unique fusion of heavy electronica and light orchestral elements for Brad Anderson's 2013 thriller.

In our podcast, Debney also disscusses his classic horror score for The Relic, recently released in an expanded CD by La-La Land Records, and the Emmy Nominated music for Hatfields & McCoys, co-composed with Tony Morales (also interviewed), and released by Silva Screen Records.

If you enjoyed this podcast, connect with us on Facebook and follow us on Twitter.

Visit KQEK.com for additional film reviews, soundtrack reviews, interviews, and read the Editor's Blog by Mark R. Hasan for additional info and related links.

All podcast editing, mixing, and audio restoration produced in-house. For inquiries and demo reels, please visit Mondomark.com.

  continue reading

70 episodes

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